Whenever I feel bewildered by our overwhelming present, I turn to the writings of Ina Blom. Her startling originality as an interpreter of complex, troubled artworks comes across in this collection of essays, all of which throw challenging aspects of the contemporary situation into sharper relief. Incisive, witty, and above all, invigorating, Blom's criticism gives thought a much-needed space in which to unfurl and linger.
Sianne Ngai, author of Theory of the Gimmick: Aesthetic Judgment and Capitalist Form
With breathtaking elegance and profound acuity, Houses to Die In overturns everything we think we know about contemporary culture. Blom reveals the surprising connections between finance capitalism and drugs, modernist painting and machine intelligence, disco and neurology, the designed world and the human struggle—undoing traditional binaries of spectacle and critique and finding, in the most unlikely of places, glimmers of the radical reorganization of life in the twenty-first century.
Michelle Kuo, Curator of Painting and Sculpture, Museum of Modern Art, New York
Ina Blom shows doubt to be productive and imagination, a grasp on reality—in other words, she shows what criticism can be.
Barry Schwabsky, art critic for The Nation
