The Csound Book
Created in 1985 by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music.
Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: additive, subtractive, FM, AM, FOF, granular, wavetable, waveguide, vector, LA, and other hybrid methods; analysis and resynthesis using ADSYN, LP, and the Phase Vocoder; sample processing; mathematical and physical modeling; and digital signal processing, including room simulation and 3D modeling.
Book Contributors include: Bill Alves, Stephen Beck, Mike Berry, Riccardo Bianchini, Kim Cascone, Michael Clarke, Richard Dobson, Archer Endrich, John ffitch, Rajmil Fischman, Michael Goggins, Matt Ingalls, Richard Karpen, Eric Lyon, Gabriel Maldonado, Hans Mikelson, Jon Nelson, Dave Phillips, Jean Piché, Russell Pinkston, Paris Smaragdis, Erik Spjut, Barry Vercoe, Scotty Vercoe.
About the Editor
Richard Boulanger is Professor of Electronic Production and Design at the Berklee College of Music and editor of The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming (MIT Press, 2000).
"This is the most important book written in the last decade in the field ofelectronic music. Together with the new Csound technology, it willrevolutionize electronic music."
—Max Mathews, Center for Computer Research in Music and Acoustics,Stanford University