Paperback | $24.95 Trade | £17.95 | ISBN: 9780262582667 | 361 pp. | 7 x 9 in | 54 b&w illus., 11 color plates| February 2006
In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position -- as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure -- that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms. This framing function yields what Hansen calls the "digital image." He argues that this new "embodied" status of the frame corresponds directly to the digital revolution: a digitized image is not a fixed representation of reality, but is defined by its complete flexibility and accessibility. It is not just that the interactivity of new media turns viewers into users; the image itself has become the body's process of perceiving it.To illustrate his account of how the body filters information in order to create images, Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 illustrations (in both black and white and color) from the works of these and many other new media artists.
"Brilliant and exciting work.... Obligatory reading for anybody interested in the philosophy of technology and its phenomenological dimension, as well as those interested in new media and digital aesthetics. Hansen is an engaging, lucid, and provocative writer." Andrés Vaccari Metapsychology"—
"Hansen's work makes a significant shift by approaching new media through affect and sensation, rather than techniques, forms or aesthetics. His thesis reintroduces reception in a sophisticated way, countering posthuman 'machinism' with a productive notion of the human engaged in an entangled, affective co-evolution with technology. This is an important and invigorating reorientation."--Mitchell Whitelaw, Lecturer in New Media, University of Canberra"—
"Hansen's work makes a significant shift by approaching new media through affect and sensation, rather than techniques, forms or aesthetics. His thesis reintroduces reception in a sophisticated way, countering posthuman 'machinism' with a productive notion of the human engaged in an entangled, affective coevolution with technology. This is an important and invigorating reorientation." Mitchell Whitelaw , Lecturer in New Media, University of Canberra, Australia, author of Metacreation: Art and Artificial Life (MIT Press 2004)"—
"*New Philosophy for New Media* brilliantly theorizes the co-evolution of the human body and the digital technosphere through the radical aesthetic interface provided by new media artworks themselves. Hansen offers a strong, subtle, and ultimately exciting argument that our bodies, brought into contact with the digital in these new ways, *experience* the virtual. He also vividly testifies to these new experiences of perception and embodiment that emerge in the process: the affects of bewilderment and vertigo, disorientation and irrelevance."--Kathleen Woodward, Director, Simpson Center for the Humanities, and Professor of English, University of Washington"—