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Hardcover | ISBN: 9780262027007 | 296 pp. | 6 x 9 in | 88 figures| May 2014
 

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Re-collection

Art, New Media, and Social Memory

Overview

How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn’t run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work.

New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.

About the Authors

Richard Rinehart is Director of the Samek Art Gallery at Bucknell University.

Jon Ippolito is Associate Professor of New Media and Codirector of the Still Water Lab and Digital Curation Program at the University of Maine.

Reviews

“Art is just one professional field that is trying to grapple with the preservation of digital and new media material,” says Richard Rinehart, director of the Samek Art Gallery at Bucknell University. With fellow digi-trailblazer Jon Ippolito, Rinehart has penned what will be the first book dedicated to the subject of conserving new media art, Re-collection: New Media, Art, and Social Memory. It is due to be released by MIT Press in the spring.”—ARTnews