Yve-Alain Bois

Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.

		Gabriel Orozco Yve-Alain Bois (Ed.) Cloth / October 2009 A collection of writings on a conceptual and installation artist who has been called "one of the most important artists of the decade." Price $38.00 | ADD TO CART
		Gabriel Orozco Yve-Alain Bois (Ed.) Paper / October 2009 A collection of writings on a conceptual and installation artist who has been called "one of the most important artists of the decade." Price $18.95 | ADD TO CART
		Solar System & Rest Rooms Writings and Interviews, 1965–2007 Mel Bochner Cloth / May 2008 Reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, magazine interventions, and other writings on art and art in the form of writing by a leading conceptual artist; many pages reproduced in facsimile. Price $39.95 | ADD TO CART
		Art and Technology in the Nineteenth and Twentieth Centuries Pierre Francastel; Translated by Randall Cherry Paper / March 2003 A nuanced study of the effects of technology on the traditional concerns of artists and other symbol-makers. Price $21.95 | ADD TO CART
		Art and Technology in the Nineteenth and Twentieth Centuries Pierre Francastel; Translated by Randall Cherry Cloth / December 2000 A nuanced study of the effects of technology on the traditional concerns of artists and other symbol-makers. Price $36.95 | ADD TO CART
		October Files Book Series: 20 Books / Founded September 2000 Rosalind E. Krauss, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Leah Dickerman and George Baker, Series Editors
		Formless A User's Guide Yve-Alain Bois and Rosalind E. Krauss Paper / August 2000 In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless, charting its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. OUT OF PRINT
		October The Second Decade, 1986-1996 Rosalind E. Krauss, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier and Silvia Kolbowski (Eds.) Cloth / January 1998 October: The Second Decade collects examples of the innovative critical and theoretical work for which the journal October is known. OUT OF STOCK
		Formless A User's Guide Yve-Alain Bois and Rosalind E. Krauss Cloth / October 1997 Yve-Alain Bois and Rosalind Krauss introduce a new constellation of concepts to our understanding of avant-garde and modernist art practices. OUT OF STOCK
		Painting as Model Yve-Alain Bois Paper / May 1993 Essays that seek to redefine the status of theory in modernist critical discourse Price $36.00 | ADD TO CART
		Painting as Model Yve-Alain Bois Cloth / January 1991 Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve-Alain Bois seek to redefine the status of theory in modernist critical discourse. OUT OF PRINT
		Endgame Reference and Simulation in Recent Painting and Sculpture Yve-Alain Bois, Thomas Crow, Hal Foster, David Joselit, Elisabeth Sussman and Bob Riley Paper / October 1986 Endgame provides the first comprehensive discussion of two interrelated groups of artists who have recently emerged amidst brisk critical debate and who all, in various ways, represent a critique of the commodity, or the commodification of art objects. OUT OF PRINT
		October Quarterly (Winter, Spring, Summer, Fall) / Founded 1976 Focusing critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, and literature. SUBSCRIPTION INFORMATION