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< BACK Metacreation Art and Artificial Life Mitchell Whitelaw Color Figures Figure 2.1. Karl Sims, evolved image (1991). (See a larger version)  Figure 2.2. Karl Sims, evolved forms from Galapagos (1997). (See a larger version)  Figure 2.3. Steven Rooke, Hyperspace Embryo (1999). (See a larger version)  Figure 2.4. Nik Gaffney, Mutagen (1997-). (See a larger version)  Figure 2.5. Evolved vodka bottles from Jeffrey Ventrella's Absolut Kelly breeder. (See a larger version)  Figure 3.1. Interactive Plant Growing, © 1992 Christa Sommerer & Laurent Mignonneau. Interactive computer installation. Collection of the Mediamuseum at the ZKM Karlsruhe. (See a larger version)  Figure 3.2. A-volve, © 1994 Christa Sommerer and Laurent Mignonneau. Interactive computer installation. Supported by ICC-NTT Japan and NCSA, USA. (See a larger version)  Figure 3.3. Life Spacies, © 1997-1999 Christa Sommerer and Laurent Migonneau. On-line artificial life environment. Collection of the NTT-ICC Museum Japan. (See a larger version)  Figure 3.4. Robb Lovell and John Mitchell, EIDEA (1995), detail. (See a larger version)  Figure 3.5. Troy Innocent, Iconica (1999). Screen shot. (See a larger version)  Figure 3.6. The Iconica conversation interface. User: "You?" Iconic Entity: "I am going." (See a larger version)  Figure 3.7. Jon McCormack, Turbulence (1995), detail. (See a larger version)  Figure 3.8. Natalie Jeremijenko, OneTrees (1998-). Exhibit showing cloned plants. (See a larger version)  Figure 4.1. Yves Amu Klein, Octofungi (1996). (See a larger version)  Figure 4.2. Yves Amu Klein, Bella (2001). (See a larger version)  Figure 4.3. Kenneth Rinaldo and Mark Grossman, The Flock (1995). Time lapse image. (See a larger version)  Figure 4.4. Kenneth Rinalo, Autopoiesis (2000). Exhibited in Alien Intelligence (2000), Museum of Contemporary Art Kiasma and Central Art Archives. Photo by Yehia Eweis. (See a larger version)  Figure 4.5. Kenneth Rinaldo, Delicate Balance (1995). (See a larger version)  Figure 4.6. Bill Vorn and Louis-Philipe Demers, Espace Vectoriel (1994). (See a larger version)  Figure 4.7. Vorn and Demers, The Frenchman Lake (1995). (See a larger version)  Figure 4.8. Vorn and Demers, The Convulsive Machine, in Les Cour Des Miracles (1997). (See a larger version)  Figure 4.9. Simon Penny, Petit Mal (1995). (See a larger version)  Figure 4.10. Simon Penny with Jameison Schulte, Sympathetic Sentience I (1995-6), detail. The unit's infrared emitter and receiver are visible at the left and right of this image. (See a larger version)  Figure 4.11. Erwin Driessens and Maria Verstappen, Tickle (1995-6). (See a larger version)  Figure 4.12. Ulrike Gabriel, Terrain_01 (1993), detail. (See a larger version)  Figure 4.13. Ulrike Gabriel, Barriere. (See a larger version)  Figure 5.1. Paul Brown, Cellular Automaton (1979). (See a larger version)  Figure 5.2. Paul Brown, The Deluge (After Leonardo) (1995). (See a larger version)  Figure 5.3. Scott Draves, fractal flame (1993). (See a larger version)  Figure 5.4. Erwin Driessens and Maria Verstappen, Breed (1999), detail. (See a larger version)  Figure 5.5. Driessens and Verstappen, Tuboid (1998-99). Composite image showing three physical models. (See a larger version)  Figure 5.6. Driessens and Verstappen, Ima Traveller (1996-8), detail. (See a larger version)  Figure 5.7. Mauro Annunziato, Contaminazione (1999). (See a larger version)  Figure 5.8. Mauro Annunziato, Contaminazione (1999), detail. (See a larger version) |
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