| List of Illustrations | ix |
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| Series Foreword | xi |
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| Preface
 Sample Chapter - Download PDF (41 KB) | xiii |
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| Acknowledgments | xix |
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| I | Spontaneous Theories
Sample Chapter - Download PDF (237 KB) | 1 |
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| Cyberpsychogeography (An Aimless Drift in Twenty Digressions) | 3 |
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| Portrait of the VJ | 55 |
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| II | Distributed Fictions | 87 |
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| GRAMMATRON | 89 |
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| This Could Be the First Day of the Rest of My Life | 95 |
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| How to Be an Internet Artist | 101 |
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| OK Texts | 103 |
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| Memorandum from the Director of the Office of Political and Economic Insecurity | 105 |
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| 10 Comms | 109 |
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| Globalization Is . . . | 111 |
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| Top Ten Reasons Why Net.Art Is Dead | 113 |
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| The . . . Writer . . . as . . . Pseudo-Autobiographical Work-in-Progress | 115 |
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| The Insider’s Guide to Avant-Garde Capitalism
Excelling at the Fine Art of Making Money | 125 |
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| Natto Girls | 135 |
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| The Random Life of VJ Persona (A Mobile Medium in the Form of a Fiction) | 145 |
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| III | Academic Remixes | 161 |
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| Answers to Questions I Have Been Asked
A Technomadic Journey | 163 |
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| Expanding the Concept of Writing
Notes on Net Art, Digital Narrative, and Viral Ethics | 181 |
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| Teaching High Techne | 191 |
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| Anticipating the Present
An Artist's Intuition | 201 |
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| IV | Image Écriture | 209 |
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| V | Net Dialogues | 221 |
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| WYSIWYG Subjects (with Eugene Thacker) | 223 |
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| Postcinematic Writing (with Adrian Miles) | 227 |
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| Stitch Bitch
The Hypertext Author as Cyborg-Narrator (with Shelley Jackson) | 231 |
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| Dub Fictions (with Jeff Noon) | 237 |
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| Active/onBlur (with Talan Memmott) | 241 |
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| Hawaiian Net Art (with Dee Kine) | 251 |
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| The Organizational Game (with Amanda McDonald Crowley) | 255 |
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| The Animating Fluid of Cyberspace (with Melinda Rackham) | 261 |
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| Digital Hallucinogens (with John Vega) | 265 |
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| The Loss of Inscription (with Giselle Beiguelman) | 269 |
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| On Being Retro in the Zeroes (with Abe Golam) | 273 |
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| VI | Amerika Online | 277 |
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| This Is All I Do Now | 279 |
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| Avant-Pop Manifesto
Thread Baring Itself in Ten Quick Posts | 289 |
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| Hypertextual Consciousness
Notes toward a Critical Net Practice | 295 |
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| The Work of Art in the Age of Virtual Republishing and Network Installation | 317 |
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| Network Installations, Creative Exhibitionism, and Virtual Republishing
An Attempt at Conceptualizing the Ongoing Ungoing Story of Being in Cyberspace | 319 |
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| Cyberspace Installations
Do-It-Yourself Narrative Composition for the '90s | 325 |
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| Surf-Sample-Manipulate
Playgiarism on the Net | 331 |
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| Copyleftists
Form and Action in the Network Environment | 337 |
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| Life Is Elsewhere
Cruising the Antipodal Trajectory | 343 |
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| Prophesizing Infowar
Creating Expectations in the New Media Economy | 349 |
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| The Private Life of a Network Publisher | 357 |
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| A Chair Is a Chair Is a Chair
Comments at Convergence | 361 |
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| The Rhetorical Gesture | 363 |
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| Triptych
Hypertext, Surfiction, Storyworlds (Part One) | 367 |
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| Triptych
Hypertext, Surfiction, Storyworlds (Part Two) | 373 |
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| Blurring Practices
The Work of Art as Public Offering | 381 |
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| Sonic Upheaval
Using mp3 to Rip the System | 389 |
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| Para-Sites and Host Connections
An Unconditional Love | 395 |
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| Writing as Hacktivism
An Intervening Satire | 401 |
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| Designwriting
A Postliterary Reading Experience | 407 |
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| What in the World Wide Web Is Happening to Writing? | 413 |
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| What Is a Blog? | 417 |
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| Making History Up
A Serial Question Mark | 419 |
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| Index
Sample Chapter - Download PDF (65 KB) | 425 |
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