Understanding the Art of Sound Organization - Table of Contents

September 2007
6 x 9, 320 pp., 1 illus.
$40.00/£29.95 (CLOTH)
Short

ISBN-10:
0-262-12292-8
ISBN-13:
978-0-262-12292-4

Related Links

EARS website

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Understanding the Art of Sound Organization
Leigh Landy

	Preface Sample Chapter - Download PDF (43 KB)	vii

	Introduction Sample Chapter - Download PDF (76 KB)	1

(A)	Art Meets Daily Life Listening to Real-World Sounds in an Artistic Context	1

(B)	Commencing the Classification Debate Is Sound Art Music?	5

(C)	The Terminology Debate Defining the Main Terms	9

1	From Intention to Reception to Appreciation Offering Listeners Some Things to Hold On To	21

(A)	How Accessible Are Works of Organized Sound?	21

(B)	Communication from the Maker's and the Listener's Points of View	35

(C)	Further Issues Concerning Access and Sound-based Music Addendum: The Three Intention/Reception Project Questionnaires	62

2	From Concept to Production to Presentation to Theory Creating "Co-hear-ence"	67

(A)	Families of Approaches/Works of Organized Sound	70

(B)	A Return to the Classification Debate In Search of a Paradigm	175

3	Toward a Framework for the Study of Sound-based Artworks	181

(A)	To Start	181

(B)	The Proposed Framework	187

(C)	Looking Forward	226

	Appendix: The Keyword Index from the ElectroAcoustic Resource Site (EARS)	231

	Notes	239

	References	259

	Index Sample Chapter - Download PDF (72 KB)	287

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