| Foreword by Cory Doctorow
Sample Chapter - Download PDF (46 KB) | ix |
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| 1 | An Introduction, or My (Ambiguous) Life with Technology
Steve Reich
Sample Chapter - Download PDF (56 KB) | 1 |
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| 2 | In Through the Out Door
Sampling and the Creative Act
Paul D. Miller aka Dj Spooky that Subliminal Kid
Sample Chapter - Download PDF (108 KB) | 5 |
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| 3 | The Future of Language
Saul Williams | 21 |
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| 4 | The Ecstasy of Influence
A Plagiarism Mosaic
Joanathan Lethem | 25 |
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| 5 | "Roots and Wires" Remix
Polyrhythmic Tricks and the Black Electronic
Erik Davis | 53 |
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| 6 | The Life and Death of Media
Bruce Sterling | 73 |
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| 7 | Un-imagining Utopia
Dick Hebdige | 83 |
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| 8 | Freaking the Machine
A Discussion about Keith Obadike's Sexmachines
Keith Obadike and Mendi Obadike | 91 |
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| 9 | Freeze Frame
Audio, Aesthetics, Sampling, and Contemporary Multimedia
Ken Jordan and Paul D. Miller aka Dj Spooky that Subliminal Kid | 97 |
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| 10 | A Theater of Ideas
An Interview with Steve Reich and Beryl Korot on Three Tales
David Allenby | 109 |
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| 11 | Quantum Improvisation
The Cybernetic Presence
Pauline Oliveros | 119 |
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| 12 | The Ghost Outside the Machine
Scanner aka Robin Rimbaud | 131 |
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| 13 | The Musician as Thief
Digital Culture and Copyright Law
Daphne Keller | 135 |
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| 14 | Integrated Systems
Mobile Stealth Unit
Beth Coleman and Howard Goldkrand | 151 |
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| 15 | An Interview with Moby
Lucy Walker | 155 |
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| 16 | Zing! Went the Strings
Joseph Lanza | 161 |
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| 17 | Renegade Academia
Simon Reynolds | 171 |
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| 18 | The World of Sound
A Division of Raymond Scott Enterprises
Jeff E. Winner | 181 |
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| 19 | From Hip-Hip to Flip-Flop
Black Noise in the Master–Slave Circuit
Ron Eglash | 203 |
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| 20 | South Africa's Rhythms of Resistance
Lee Hirsch | 215 |
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| 21 | The Virtual Breeding of Sound
Manuel DeLanda | 219 |
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| 22 | Zoom
Mining Acceleration Liminal Product:
Frances Dyson and Douglas Kahn | 227 |
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| 23 | An Interview with Alex Steinweiss
Carlo McCormick | 233 |
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| 24 | Stop. Hey. What's That Sound?
Ken Jordan | 245 |
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| 25 | Permuting Connections
Software for Dancers
Scott deLahunta | 265 |
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| 26 | On Improvisation, Temporality, and Embodied Experience
Vijay Iyer | 273 |
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| 27 | Spin the Painting
An Interview with Nadine Robinson
Alondra Nelson | 293 |
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| 28 | Camera Lucida
Three-dimensional Sonochemical Observatory
Evelina Domnitch and Dmitry Gelfand | 299 |
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| 29 | Fear of a Muslim Planet
Hip-Hop's Hidden History
Naeem Mohaiemen | 313 |
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| 30 | Three Pieces
Chuck D | 337 |
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| 31 | Bells and Their History
Brian Eno | 343 |
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| 32 | What One Must Do
Comments and Asides on Musical Philosophy
Daniel Bernard Roumain (DBR) | 353 |
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| 33 | An Interview with Pierre Boulez
Hans-Ulrich Obrist and Philippe Parreno | 361 |
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| 34 | Adh’an
The Sounds of an Islamized Orthodoxy
Ibrahim Quraishi | 375 |
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| 35 | Theater of the Spirits
Joseph Cornell and Silence
Catherine Corman | 377 |
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| 36 | Where Did the Music Go?
Jaron Lanier | 385 |
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| Audio CD Credits
Sample Chapter - Download PDF (53 KB) | 391 |
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| Index
Sample Chapter - Download PDF (124 KB) | 395 |
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