 |
 |
| |
< BACK Reload Rethinking Women + Cyberculture Edited by Mary Flanagan and Austin Booth Table of ContentsIntroduction, Austin Booth and Mary FlanaganWomen's Cyberfiction: An Introduction, Austin Booth WOMEN USING TECHNOLOGY (Learning About) Machine Sex, Candas Jane Dorsey (fiction) Trouble and Her Friends, Melissa Scott (fiction excerpt) Striking Cyborgs: Reworking the "Human" in Marge Piercy's He, She, and It, Heather Hicks (criticism) The Ship Who Sang, Anne McCaffrey (fiction) Entrada, Mary Rosenblum (fiction) A CyberRoom of One's Own, Sarah Stein (criticism) The Ethical Dimension of Cyberfeminism, Alison Adam (criticism) The Five Wives of Ibn Fadlan: Women's Collaborative Fiction on Antonio Banderas Web Sites, Sharon Cumberland (criticism) Correspondence, Sue Thomas (fiction excerpt) Doing It Digitally: Rosalind Brodsky and the Art of Virtual Female Subjectivity, Jyanni Steffensen (criticism) THE VISUAL/VISIBLE/VIRTUAL SUBJECT Virtually Visible: Female Cyberbodies and the Medical Imagination, Julie Doyle and Kate O'Riordan (criticism) No Woman Born, C. L. Moore (fiction) (Re)reading Queerly: Science Fiction, Feminism, and the Defamiliarization of Gender, Veronica Hollinger (criticism) After/Images of Identity: Gender, Technology, and Identity Politics, Lisa Nakamura (criticism) Shooting Up Heroines, Bernadette Wegenstein (criticism) Girl Erupted, Rajani Sudan (criticism) Cyborg Feminism: The Science Fiction of Octavia E. Butler and Gloria Anzaldua, Catherine Ramirez Speech Sounds, Octavia Butler (fiction) Virtual Girl, Amy Thompson (fiction excerpt) Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance, Mary Flanagan (criticism) BODIES Proxies, Laura J. Mixon (fiction excerpt) "The Postproduction of the Human Heart": Desire, Identification, and Virtual Embodiment in Feminist Narratives of Cyberspace, Thomas Foster (criticism) A Real Girl, Shariann Lewitt (fiction) Assembling Bodies in Cyberspace: Technologies, Bodies, and Sexual Difference, Dianne Currier (criticism) Shockingly Tech-splicit: The Performance Politics of Orlan and Other Cyborgs, Theresa M. Senft (criticism) "The Girl Who Was Plugged In," James Tiptree Jr. (Alice B. Sheldon) (fiction) |
| ||||||||||||||
|
|||||||
|
|||||||
