Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects.
Los Angeles writer and artist Bob Flanagan created performances with Sheree Rose that shocked and inspired audiences. He combined text, video, and live performance to create a highly personal but universal exploration of childhood, sex, illness, and mortality. The Pain Journal, Flanagan's last finished work, is an extraordinary chronicle of the final year of his life before his death from cystic fibrosis at the age of forty-three.
A good understanding of the nature of a property requires knowing whether that property is relational or intrinsic. Gabriel Segal's concern is whether certain psychological properties—specifically, those that make up what might be called the "cognitive content" of psychological states—are relational or intrinsic. He claims that content supervenes on microstructure, that is, if two beings are identical with respect to their microstructural properties, then they must be identical with respect to their cognitive contents.
This multivoiced collection of essays and images presents the perspectives of activists, scholars, artists, and curators from a broad range of constituencies. Challenging traditional disciplinary and cultural boundaries, the book moves beyond any unified feminist historical narrative to present a "relational" feminism of diverse communities, affiliations, and practices. The texts/images partake of many genres: reflective essay, testimonial dialogue, performance piece, digital collage, prose poem, and photomontage.
Arnie Zane (1948-1988) is best known for his seventeen-year personal and artistic partnership with choreographer Bill T. Jones. Their creative interchange defined each other's artistic vision and led to one of the most celebrated collaborations in late-twentieth-century dance. The Bill T. Jones/Arnie Zane Dance Company continues to bear Zane's name and to be inspired by his spirit.
Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.
"An intelligent and readable approach to the digitization of images.... A useful overview of a critical subject."
—New York Times Book Review
Enhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs.