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The Arts

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Wearable Discourse in the Digital Age

Wearable technology—whether a Walkman in the 1970s, an LED-illuminated gown in the 2000s, or Google Glass today—makes the wearer visible in a technologically literate environment. Twenty years ago, wearable technology reflected cultural preoccupations with cyborgs and augmented reality; today, it reflects our newer needs for mobility and connectedness. In this book, Susan Elizabeth Ryan examines wearable technology as an evolving set of ideas and their contexts, always with an eye on actual wearables—on clothing, dress, and the histories and social relations they represent.

Art Architecture and Activism

Outspoken, provocative, and prolific, the artist Ai Weiwei is an international phenomenon. In recent years, he has produced an astonishingly varied body of work while continuing his role as activist, provocateur, and conscience of a nation. Ai Weiwei is under “city arrest" in Beijing after an 81-day imprisonment; he is accused of tax evasion, but many suspect he is being punished for his political activism, including his exposure of shoddy school building practices that led to the deaths of thousands of children in the 2008 Sichuan earthquake.

Although the pictogram-only narrative in Xu Bing’s Book from the Ground can be read by anyone, there is much more to the story of Xu Bing’s wordless book than can be gleaned from icons alone. This companion volume to Book from the Ground chronicles the entire project, mapping the history of Xu Bing’s novel creation from inspiration to exhibition to publication.

As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the material world and a sense of the interconnectedness of all things.

The dawn of the electronic media age in the 1960s began a cultural shift from the modernist grid and its determination of projection and representation to the fluid structures and circuits of the network, presenting art with new challenges and possibilities. This anthology considers art at the center of network theory, from the 1960s to the present.

Edited by Antony Hudek

Artists increasingly refer to “post-object-based" work while theorists engage with material artifacts in culture. A focus on “object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness" of production, with art as its focus.

from point to point

Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read.
--Xu Bing

Being in the World

This book offers the first career retrospective of Brian Weil (1954–1996), an artist whose photographs pushed viewers into a deeply unsteadying engagement with insular communities and subcultures. A younger contemporary of such participant-observer photographers as Larry Clark and Nan Goldin, Weil took photographs that foreground the complex relationships between photographer and subject, and between photograph and viewer.

The Studio

Throughout his career, Philip Guston’s work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like The Studio came his most radical shift.

Dropout Piece

The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium.

  • Page 5 of 59