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General Interest

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Contemporary Readings
Edited by John Greco and John Turri

Virtue epistemology is a diverse and flourishing field, one of the most exciting developments in epistemology to emerge over the last three decades. Virtue epistemology begins with the premise that epistemology is a normative discipline and, accordingly, a central task of epistemology is to explain the sort of normativity that knowledge, justified belief, and the like involve. A second premise is that a focus on the intellectual virtues (individual intellectual excellences) is essential to carrying out this central task.

Philosophy, Science, and Ethics

Philosophical reflections on the environment began with early philosophers’ invocation of a cosmology that mixed natural and supernatural phenomena. Today, the central philosophical problem posed by the environment involves not what it can teach us about ourselves and our place in the cosmic order but rather how we can understand its workings in order to make better decisions about our own conduct regarding it. The resulting inquiry spans different areas of contemporary philosophy, many of which are represented by the fifteen original essays in this volume.

The Problems and Pleasures of Having it Both Ways

Why is it so hard to make up our minds? Adam and Eve set the template: Do we or don’t we eat the apple? They chose, half-heartedly, and nothing was ever the same again. With this book, Kenneth Weisbrode offers a crisp, literate, and provocative introduction to the age-old struggle with ambivalence.

Explorations in the Topology of Being

The idea of place--topos--runs through Martin Heidegger’s thinking almost from the very start. It can be seen not only in his attachment to the famous hut in Todtnauberg but in his constant deployment of topological terms and images and in the situated, “placed” character of his thought and of its major themes and motifs.

Meaning, Ontology, and Emotion

How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain.

In Human Reasoning and Cognitive Science, Keith Stenning and Michiel van Lambalgen--a cognitive scientist and a logician--argue for the indispensability of modern mathematical logic to the study of human reasoning. Logic and cognition were once closely connected, they write, but were “divorced” in the past century; the psychology of deduction went from being central to the cognitive revolution to being the subject of widespread skepticism about whether human reasoning really happens outside the academy.

A Critical History of Temporality

The project of all philosophy may be to gain reconciliation with time, even if not every philosopher has dealt with time expressly. A confrontation with the passing of time and with human finitude runs through the history of philosophy as an ultimate concern. In this genealogy of the concept of temporality, David Hoy examines the emergence in a post-Kantian continental philosophy of a focus on the lived experience of the “time of our lives” rather than on the time of the universe.

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet’s proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences for the first time.

Spheres Volume I: Microspherology

If I had to place a sign of my own at the entrance to this trilogy, it would be this: let no one enter who is unwilling to praise transference and to refute loneliness.
--from Bubbles

Pythagoras and the Disharmony of the World

An ancient tradition holds that Pythagoras discovered the secrets of harmony within a forge when he came across five men hammering with five hammers, producing a wondrous sound. Four of the five hammers stood in a marvelous set of proportions, harmonizing; but there was also a fifth hammer. Pythagoras saw and heard it, but he could not measure it; nor could he understand its discordant sound. Pythagoras therefore discarded it. What was this hammer, such that Pythagoras chose so decidedly to reject it?

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