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The Csound Book Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming Edited by Richard Boulanger Foreword by Barry Vercoe Preface by Max Mathews 32 Chapters from the top Sound Designers and Programmers of the world. 45 CD-ROM Chapters. 2 CD-ROMS. $55.00 Purchase Barnes & Noble MIT Press Amazon.com Comments about the book Read here |
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1 Introduction to Sound Design in Csound
| instr | 101 | ; SIMPLE OSCIL |
| instr | 102 | ; SIMPLE FM |
| instr | 103 | ; SIMPLE BUZZ |
| instr | 104 | ; SIMPLE WAVEGUIDE |
| instr | 105 | ; SIMPLE GRANULAR |
| instr | 106 | ; SIMPLE WAVETABLE |
| instr | 107 | ; P-FIELD OSCIL |
| instr | 108 | ; P-FIELD FM |
| instr | 113 | ; SIMPLE OSCIL WITH ENVELOPE |
| instr | 115 | ; SWEEPING BUZZ WITH ENVELOPE |
| instr | 117 | ; GRAINS THROUGH AN ENVELOPE |
| instr | 118 | ; LOSCIL WITH OSCIL ENVELOPE |
| instr | 119 | ; RETRIGGERING FOSCIL WITH OSCIL ENVELOPE |
| instr | 120 | ; SIMPLE CHORUSING |
| instr | 122 | ; SIMPLE SPECTRAL FUSION |
| instr | 124 | ; SWEEPING AMPLITUDE MODULATION |
| instr | 126 | ; SIMPLE DELAYED VIBRATO |
| instr | 128 | ; BANDPASS-FILTERED NOISE |
| instr | 129 | ; ONE-POLE LOWPASS |
| instr | 130 | ; TWO-POLE LOWPASS |
| instr | 131 | ; THREE-POLE LOWPASS |
| instr | 132 | ; FOUR-POLE LOWPASS |
| instr | 133 | ; LOWPASS WITH RESONANCE |
| instr | 135 | ; DISKIN ECHO-RESONATOR |
| instr | 136 | ; VDELAY FLANGER |
| instr | 137 | ; GLOBAL ECHO/REVERB LOSCIL |
| instr | 138 | ; SWEEPING FM WITH VIBRATO & DISCRETE PAN |
| instr | 141 | ; AMPLITUDE MODULATION LFO PANNER |
2 Understanding Csound’s Function Table GEN Routines
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instr
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201
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; READING A SOUNDFILE USING TABLEI & GEN1
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| instr | 202 | ; TABLE-LOOKUP OSCILLATOR - PHASOR/TABLEI |
| instr | 203 | ; TABLE-LOOKUP OSCILLATOR - OSCILI |
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instr
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204
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; CPSPCH PITCH CONVERTER
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instr
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205
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; SIMPLE WAVESHAPING
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instr
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206
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; WAVESHAPING WITH NORMALIZATION
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instr
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207
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; PHASE-QUADRATURE WAVESHAPING
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| instr | 208 | ; AM/FM |
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instr
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209
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; 12-TONE ROW PLAYER
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instr
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210
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; 3D WAVE-TERRAIN
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3 What Happens When You Run a Csound Program
| instr | 301 | ; REVERB SEND WITH EXPON AMPLITUDE ENVELOPE |
| instr | 302 | ; REVERB SEND WITH GAUSS PITCH ENVELOPE |
| instr | 399 | ; SIMPLE REVERB |
4 Optimizing Your Csound Instruments
| instr | 401 | ; SIMPLE (& SLOW) MIDI |
| instr | 402 | ; SIMPLE (& SLOW) MIDI |
| instr | 403 | ; SIMPLE OPTIMIZED MIDI |
| instr | 404 | ; A-RATE VIBRATO |
| instr | 405 | ; K-RATE VIBRATO |
| instr | 406 | ; INEFFICIENT AMPLITUDE SCALING |
| instr | 407 | ; EFFICIENT AMPLITUDE SCALING |
| instr | 408 | ; REDUNDANT FM |
| instr | 409 | ; OPTIMIZED STATIC FM |
| instr | 410 | ; USING FUNCTION CALLS |
| instr | 411 | ; USING TABLE-LOOKUP |
| instr | 412 | ; USING DIVISION |
| instr | 413 | ; USING MULTIPLICATION |
| instr | 414 | ; USING UNIQUE A-RATE OUTPUT ARGUMENTS |
| instr | 415 | ; REUSES A-RATE OUTPUT ARGUMENTS |
| instr | 416 | ; NEEDING USER OPTIMIZATION |
5 Using Csound’s Macro Language Extensions
| instr | 513 | ; MACRO EXAMPLE |
| instr | 514 | ; MACRO EXAMPLE |
| instr | 513 | ; EXPANDED MACRO |
| instr | 514 | ; EXPANDED MACRO |
| instr | 515 | ; EXPANDED REVERB MACRO |
| instr | 516 | ; EXPANDED REVERB MACRO |
6 Designing Acoustically Viable Instruments in Csound
| instr | 601 | ; PARALLEL BANDPASS FILTER |
| instr | 604 | ; AMPLITUDE CONTROLLED TIMBRE MAPPING |
| instr | 606 | ; FM WITH MODULATION INDEX MAPPED TO AMPLITUDE |
| instr | 607 | ; FM WITH PITCH & AMP MAPPED TO ENVELOPE & SPECTRA |
7 Designing Legato Instruments in Csound
| instr | 701 | ; A SIMPLE LEGATO INSTRUMENT |
| instr | 702 | ; A MORE ELABORATE LEGATO INSTRUMENT |
| instr | 705 | ; FULL LEGATO INSTRUMENT WITH "CHIFF" |
8 Contiguous-Group Wavetable Synthesis of the French Horn in Csound
| instr | 801 | ; WAVETABLE FRENCH HORN |
| instr | 899 | ; SIMPLE REVERB |
9 FM Synthesis and Morphing in Csound: from Percussion to Brass
| instr | 901 | ; CHOWNING FM |
10 Modeling "Classic" Electronic Keyboard Instruments in Csound
| instr | 1001 | ; GLOBAL INITIALIZATION: TONE WHEEL/ROTATING SPEAKER |
| instr | 1002 | ; THE FOOT SWITCH CONTROLLING ROTOR SPEEDS |
| instr | 1003 | ; TONE WHEEL ORGAN |
| instr | 1004 | ; ROTATING SPEAKER |
| instr |
1007
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; TB-303 EMULATOR
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11 A Survey of Classic Synthesis Techniques Implemented in Csound
| instr | 1101 | ; SIMPLE OSCILLATOR |
| instr | 1102 | ; SIMPLE OSCILLATOR WITH AMPLITUDE ENVELOPE |
| instr | 1105 | ; ENVELOPE-CONTROLLED WHITE NOISE |
| instr | 1106 | ; PULSE TRAIN WITH AMPLITUDE ENVELOPE |
| instr | 1109 | ; SIMPLE AMPLITUDE MODULATION |
| instr | 1111 | ; RING MODULATION |
| instr | 1112 | ; SIMPLE WAVESHAPING |
| instr | 1113 | ; DUAL WAVESHAPING |
| instr | 1114 | ; SIMPLE STATIC FM |
| instr | 1115 | ; FM WITH AMPLITUDE AND SPECTRAL ENVELOPES |
12 A Guide to FM Implementation in Csound
| instr | 1201 | ; SIMPLE CHOWNING FM |
| instr | 1202 | ; BETTER SIMPLE FM |
| instr | 1203 | ; SIMPLE PHASE MODULATION (PM) |
| instr | 1204 | ; PHASE MODULATION WITH MODULATOR STACK |
| instr | 1205 | ; DX7 EMULATOR – ALGORITHM 16 |
13 A Guide to Granular Synthesis in Csound
| instr | 1301 | ; SIMPLE GRANULAR |
| instr | 1302 | ; STEREO GRANULAR WITH COMMON AMPLITUDE ENVELOPE |
| instr | 1303 | ; 22O HZ SINE TONE |
| instr | 1304 | ; QUAD GRANULAR |
| instr | 1306 | ; SIMPLE GRANULAR WITH GRAIN OPCODE |
14 Exploring FOF and FOG Synthesis in Csound
| instr | 1401 | ; SINGLE FORMANT FOF |
| instr | 1414 | ; BASIC FOG |
| instr | 1415 | ; DYNAMIC SPEED CHANGE OF FOG PLAYBACK |
| instr | 1416 | ; SAMPLE-BASED FOG THAT "DISINTEGRATES" |
15 Processing Samples with Csound’s FOF Opcode
| instr | 1501 | ; SIMPLE FOF |
| instr | 1502 | ; FOF THAT PROCESSES A TAMBURA SAMPLE |
16 A Look at Random Numbers, Noise and Chaos with Csound
| instr | 1601 | ; FILTERED NOISE WITH "DECLICKING" ENVELOPE |
| instr | 1602 | ; ADDITIVE WITH "GAUSSIAN" FREQUENCY DEVIATION |
| instr | 1603 | ; BASIC FM "BELL" |
| instr | 1604 | ; ENHANCED FM "BELL" WITH NOISE BURSTS |
| instr | 1605 | ; CUBIC OSCILLATOR USING THE DUFFING EQUATION |
17 Constrained Random Event Generation and Retriggering in Csound
| instr | 1701 | ; PERIODIC RE-INITIALIZATION |
| instr | 1702 | ; AMPLITUDE MODULATION WITH LFO |
| instr | 1703 | ; REINIT WITH PHRASE-ENVELOPE |
| instr | 1704 | ; A "POPCORN" SIMULATOR |
| instr | 1705 | ; 3 PART "GESTURE" INSTRUMENT |
| instr | 1706 | ; ALGORITHMIC MUSIC GENERATOR |
18 Using Global Csound Instruments for Meta-Parameter Control
| instr | 1801 | ; SIMPLE PORTAMENTO |
| instr | 1802 | ; CONTROLS 1803 AMPLITUDE |
| instr | 1803 | ; SIMPLE OSCIL |
| instr | 1804 | ; CONTROLS 1805/1806 AMPLITUDE |
| instr | 1805 | ; SIMPLE OSCIL |
| instr | 1806 | ; SIMPLE OSCIL |
| instr | 1807 | ; GLOBAL LFO |
| instr | 1808 | ; GLOBAL ADSR |
| instr | 1809 | ; SIMPLE VCO |
| instr | 1811 | ; FIXED-FREQUENCY OSCIL FOR SPECTRAL FUSION |
| instr | 1812 | ; FIXED-FREQUENCY OSCIL FOR SPECTRAL FUSION |
| instr | 1813 | ; GLOBAL VIBRATO |
| instr | 1814 | ; FIXED-FREQUENCY OSCIL FOR SPECTRAL FUSION |
| instr | 1815 | ; FIXED-FREQUENCY OSCIL FOR SPECTRAL FUSION |
| instr | 1816 | ; TIME-VARYING STOCHASTIC GENERATOR |
| instr | 1817 | ; TIME-VARYING STOCHASTIC GENERATOR |
| instr | 1818 | ; EFFICIENT TIME-VARYING STOCHASTIC GENERATOR |
| instr | 1819 | ; EFFICIENT TIME-VARYING STOCHASTIC GENERATOR |
| instr | 1820 | ; SIMPLE FM |
| instr | 1821 | ; CONTEXT SENSITIVE GLOBAL RMS |
| instr | 1822 | ; PULSED NOISE |
| instr | 1823 | ; PASSES DATA TO 1824 |
| instr | 1824 | ; PASSES DATA TO 1823 |
| instr | 1825 | ; GLOBAL FEEDBACK |
19 Mathematical Modeling with Csound: From Waveguides to Chaos
| instr | 1901 | ; WAVEGUIDE PLUCKED BASS |
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instr
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1902
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; WAVEGUIDE SLIDE-FLUTE
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instr
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1903
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; WAVEGUIDE CLARINET
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instr
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1904
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; DRUM STICK
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instr
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1905
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; SQUARE DRUM
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instr
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1908
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; LORENZ ATTRACTOR
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| instr | 1909 | ; ROSSLER'S ATTRACTOR |
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instr
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1910
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; PLANET ORBITING IN BINARY STAR SYSTEM
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20 An Introduction to Signal Processing with Csound
| instr | 2001 | ; 440 HZ SINE WAVE AT FULL AMPLITUDE |
| instr | 2002 | ; SIMPLE 440 HZ OSCILLATOR |
| instr | 2003 | ; SINGLE IMPULSE |
| instr | 2004 | ; PITCHED PULSE TRAIN |
| instr | 2005 | ; ALIASING |
| instr | 2006 | ; IMPULSE RESPONSE OF RESON FILTER |
| instr | 2007 | ; DIRECT IMPLEMENTATION OF CONVOLUTION |
| instr | 2008 | ; CONVOLUTION USING CONVOLVE OPCODE |
| instr | 2009 | ; FIR FILTER EXAMPLE |
| instr | 2010 | ; IIR FILTER EXAMPLE |
| instr | 2011 | ; FM SCI-FI VOICE EXAMPLE |
| instr | 2012 | ; AM SCI-FI VOICE EXAMPLE |
| instr | 2013 | ; PHONE VOICE SCRAMBLER |
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instr
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2014
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; PHONE VOICE DESCRAMBLER
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21 Understanding Csound’s Spectral Data Types
| instr | 2101 | ; BEAT TRACKER, TEMPO FOLLOWER |
| instr | 2102 | ; PITCH TRACKING HARMONIZER |
22 Using Csound to Understand Delay Lines and their Applications
| instr | 2201 | ; PLUCK WITH ECHOES |
| instr | 2202 | ; DRY PLUCK |
| instr | 2203 | ; GLOBAL EFFECT |
| instr | 2204 | ; VDELAY VIBRATO |
| instr | 2205 | ; SOUNDIN |
| instr | 2206 | ; STEREO FLANGER |
| instr | 2207 | ; PITCH SHIFTER |
| instr | 2208 | ; SOUNDIN |
| instr | 2209 | ; HARMONIZER WITH FEEDBACK |
23 An Introduction to Reverberation Design with Csound
| instr | 2301 | ; NOISE BURST |
| instr | 2302 | ; REVERB UNIT |
| instr | 2303 | ; NOISE BURST WET/DRY |
| instr | 2304 | ; REVERB WET/DRY |
| instr | 2305 | ; STEREO DIFFUSION OF ECHOES |
| instr | 2306 | ; DOPPLER SHIFT |
| instr | 2307 | ; SCALEABLE GLOBAL SEND LEVELS |
| instr | 2309 | ; REVERB WITH ATTENUATED HI FREQ |
| instr | 2310 | ; ALLPASS FILTERS TO BUILD UP REFLECTIONS |
| instr | 2311 | ; 2 PARALLEL ALLPASS FILTERS WITH RANDOM DELAY TIMES |
| instr | 2313 | ; 3 PARALLEL COMBS INTO AN ALLPASS THEN LOPASS |
| instr | 2314 | ; GLOBAL REVERB INTO 2 VARYING DELAYS |
| instr | 2315 | ; METALLIC REVERB |
24 Implementing the Gardner Reverbs in Csound
| instr | 2402 | ; SMALL ROOM REVERB |
| instr | 2403 | ; MEDIUM ROOM REVERB |
| instr | 2404 | ; LARGE ROOM REVERB |
25 Csound-based Auditory Localization
| instr | 2501 | ; HRTFER EXAMPLE ORCHESTRA |
26 Convolution in Csound: Traditional and Novel Applications
| instr | 2601 | ; DIRECT CONVOLUTION |
| instr | 2602 | ; FFT CONVOLUTION |
| instr | 2603 | ; ECHO & REVERB DEMOS |
| instr | 2604 | ; MIX REVERB, DELAY & DARKEN |
| instr | 2610 | ; BRIGHT MUSIC DEMOS |
27 Working with Csound’s ADSYN, LPREAD and LPRESON Opcodes
| instr | 2701 | ; BASIC ADDITIVE RESYNTHESIZER |
| instr | 2704 | ; ADDITIVE RESYNTHESIS WITH DYNAMIC FM |
| instr | 2709 | ; AN LPC SPEECH RESYNTHESIZER |
| instr | 2722 | ; LPREAD |
| instr | 2726 | ; LPC-BASED CROSS-SYNTHESIZER |
| instr | 2728 | ; LPC ADDITIVE CROSS-SYNTHESIZER |
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instr
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2730
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; LPC ADDITIVE CROSS-SYNTHESIZER
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28 Csound’s Phase Vocoder and Extensions
| instr | 2801 | ; PVOC RESYNTHESIS WITH DYNAMIC TIME SCALING |
| instr | 2810 | ; PVREAD: ADDITIVE SYNTHESIS |
| instr | 2811 | ; GLOBAL TIME POINTER |
| instr | 2812 | ; GLOBALLY CONTROLLED FM SYNTHESIZER |
| instr | 2815 | ; VPVOC |
| instr | 2816 | ; CROSS-SYNTHESIS: PVBUFREAD |
| instr | 2817 | ; CROSS-SYNTHESIZER |
| instr | 2818 | ; CROSS-SYNTHESIS INTERPOLATES BETWEEN 2 FILES |
| instr | 2821 | ; CROSS-SYNTHESIS WITH CONTROL OVER AMPLITUDE & PITCH |
| instr | 2822 | ; TALKING MARIMBA/VIOLIN MORPH |
29 Efficient Implementation of Analog Waveshaping in Csound
| instr | 2901 | ; PULSE WAVE WITH MODULATABLE PULSE-WIDTH |
| instr | 2904 | ; SUB-OCTAVE GENERATOR |
30 Modeling a Multi-Effects Processor in Csound
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instr
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3099
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; ZAK-BASED MIXER
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instr
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3011 | ; COMPRESSOR/LIMITER |
| instr | 3010 | ; NOISE GATE |
| instr | 3012 | ; DE-ESSER |
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instr
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3013
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; DISTORTION
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instr
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3018 | ; 3 BAND EQ |
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instr
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3016
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; WAH-WAH
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| instr | 3015 | ; RESONANT LOWPASS FILTER |
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instr
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3020 | ; VIBRATO |
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instr
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3022
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; DELAY-BASED PITCH SHIFTER
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| instr | 3035 | ; CHORUS |
| instr | 3030 | ; FLANGER |
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instr
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3040 | ; STEREO DELAY |
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instr
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3021
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; TREMOLO
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| instr | 3023 | ; AUTO-PANNER |
| instr | 3045 | ; SIMPLE REVERB |