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The Csound Book Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming Edited by Richard Boulanger Foreword by Barry Vercoe Preface by Max Mathews 32 Chapters from the top Sound Designers and Programmers of the world. 45 CD-ROM Chapters. 2 CD-ROMS. $55.00 Purchase Barnes & Noble MIT Press Amazon.com Comments about the book Read here |
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| I. | Introducition | Richard Boulanger |
| II. | Preface | Max Mathews |
| III. | Foreword | Barry Vercoe |
| IV. | Acknowledgments | Richard Boulanger |
| V. | Dedication | |
| 1. | Introduction to Sound Design in Csound | Richard Boulanger |
| 2. | Understanding and Using Csound’s GEN Routines | Jon Christopher Nelson |
| 3. | What Happens When You Run Csound | John ffitch |
| 4. | Optimizing Your Csound Instruments | Paris Smaragdis |
| 5. | Using Csound’s Macro Language Extensions | John ffitch |
| 6. | Designing Acoustically Viable Instruments in Csound | Stephen David Beck |
| 7. | Designing Legato Instruments in Csound | Richard Dobson |
| 8. | Contiguous-Group Wavetable Synthesis of the French Horn in Csound | Andrew Horner & Lydia Ayers |
| 9. | FM Synthesis and Morphing in Csound: from Percussion to Brass | Brian Evans |
| 10. | Modeling "Classic" Electronic Keyboards in Csound | Hans Mikelson |
| 11. | A Survey of Classic Synthesis Techniques in Csound | Rajmil Fischman |
| 12. | A Guide to FM Implementation in Csound | Russell Pinkston |
| 13. | A Guide to Granular Synthesis in Csound | Allan S. C. Lee |
| 14. | A Guide to FOF and FOG Synthesis in Csound | Michael Clarke |
| 15. | Processing Samples with Csound’s FOF Opcode | Per Byrne Villez |
| 16. | A Look at Random Numbers, Noise and Chaos with Csound | John ffitch |
| 17. | Constrained Random Event Generation and Retriggering in Csound | Russell Pinkston |
| 18. | Using Global Csound Instruments for Meta-Parameter Control | Martin Dupras |
| 19. | Mathematical Modeling with Csound: From Waveguides to Chaos | Hans Mikelson |
| 20. | An Introduction to Signal Processing with Csound | Erik Spjut |
| 21. | Understanding Csound’s Spectral Data Types | Barry Vercoe |
| 22. | Using Csound to Understand Delay Lines and their Applications | Russell Pinkston |
| 23. | An Introduction to Reverberation Design with Csound | Eric Lyon |
| 24. | Implementing the Gardner Reverbs in Csound | Hans Mikelson |
| 25. | Csound-based Auditory Localization | David McIntyre and Eli Breder |
| 26. | Convolution in Csound: Traditional and Novel Applications | Erik Spjut |
| 27. | Working with Csound’s ADSYN, LPREAD and LPRESON Opcodes | Magdalena Klapper |
| 28. | Csound’s Phase Vocoder and Extensions | Richard Karpen |
| 29. | Efficient Implementation of Analog Waveshaping in Csound | Michael Pochino |
| 30. | Modeling a Multi-Effects Processor in Csound | Hans Mikelson |
| 31. | Extending Csound | John ffitch |
| 32. | Adding New Unit Generators to Csound | Marc Resibois |
| List of Csound Book Instruments | ||
| Recommended Reading | ||
| Recommended Listening | ||
| The Csound Reference Manual | Barry Vercoe et. al | |
| Error Messages | ||
| Formants Values | ||
| Sound Intensity Values | ||
| Pitch Conversion | ||
| Quick Reference | ||
| Index | ||