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The Csound Book Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming Edited by Richard Boulanger Foreword by Barry Vercoe Preface by Max Mathews 32 Chapters from the top Sound Designers and Programmers of the world. 45 CD-ROM Chapters. 2 CD-ROMS. $55.00 Purchase Barnes & Noble MIT Press Amazon.com Comments about the book Read here |
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Cage, J. 1976. Silence. Middletown, CT: Wesleyan University Press. Chadabe, J. 1997. Electric Sound: The Past and Promise of Electronic Music. New York: Prentice Hall. De Poli, G., A. Piccialli, and C. Roads. 1991. Representations of Musical Signals. Cambridge, MA: M.I.T. Press. De Poli, G., A. Piccialli, S. T. Pope, Stephen and C. Roads. 1997. Musical Signal Processing. The Netherlands: Swets and Zeitlinger. Dodge, C. and T. Jerse. 1997. Computer Music. 2nd rev. New York: Schirmer Books. Eliot, T. S. 1971. Four Quartets. New York: Harcourt Brace & Company. Mathews, Max V. 1969. The Technology of Computer Music. Cambridge, MA: M.I.T. Press. Mathews, Max V. and J. R. Pierce. 1989. Current Directions in Computer Music Research. Cambridge, MA: M.I.T. Press. Moore, R. F. 1990. Elements of Computer Music. New York: Prentice Hall. Pierce, J. R. 1992. The Science of Musical Sound. 2nd rev. edn. New York: W. H. Freeman. Pohlmann, Ken C. 1995. Principles of Digital Audio. 3d edn. New York: McGraw-Hill. Roads, C. 1989. The Music Machine. Cambridge, MA: M.I.T. Press. Roads, C. 1996. The Computer Music Tutorial. Cambridge, MA: M.I.T. Press. Roads, C. and J. Strawn. 1987. Foundations of Computer Music. 3d edn. Cambridge, MA: M.I.T. Press. Selfridge–Field, E. 1997. Beyond MIDI. Cambridge: M.I.T. Press. Steiglitz, K. 1996. A Digital Signal Processing Primer. Reading, MA: Addison-Wesley. Vonnegut, K. 1987. Bluebeard. New York: Delacorte Press. |