This year, the MIT Press and Leonardo, the International Society for the Arts, Sciences, and Technology, celebrate 30 years of partnership and collaboration!
In honor of the 30th anniversary, use code LEONARDO30 for 30% off Leonardo books purchased from Penguin Random House.
Full terms and conditions here.
Fearlessly pioneering since 1968, Leonardo is forging a transdisciplinary network to convene, research, collaborate, and disseminate best practices at the nexus of arts, science, and technology worldwide. Leonardo serves scholars, artists, scientists, technologists, and thinkers, who experiment with cutting-edge, new approaches, practices, systems, and solutions to tackle our most complex challenges.
Regenerative Futures at the Crossroad of Art, Science, and Technology Event
Wednesday, November 9, 2022, 5:30 PM – 6:45 PM EST
MIT Samberg Conference Center
50 Memorial Drive, Cambridge, MA 02142
Join us for a conversation with Diana Ayton-Shenker, Nick Lindsay, and Roger Malina on the legacy of the 30 years of Leonardo.
About the journal
Leonardo is the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and the application and influence of the arts and humanities on science and technology.
Leonardo is interested in work that crosses the artificial boundaries separating contemporary arts and sciences. Featuring illustrated articles written by artists about their own work as well as articles by historians, theoreticians, philosophers, and other researchers, the journal is particularly concerned with issues related to the interaction of the arts, sciences, and technology.
About the books
Starting in 1993 with the publication of The Visual Mind edited by Michele Emmer and Leonardo Almanac edited by Craig Harris, the partnership between Leonardo and the MIT Press has made leading-edge works at the intersection of arts, sciences, and technology available to readers. Series edited by Sean Cubitt and Roger F. Malina and supported by Assistant Acquisitions Editor, Gabriela Bueno Gibbs.
Christa Sommerer & Laurent Mignonneau
February 7, 2023
Re-collection
November 1, 2022
New Tendencies
November 1, 2022
Design in Motion
July 19, 2022
Northern Sparks
June 28, 2022
Art in the Age of Machine Learning
November 23, 2021
Living Books
August 31, 2021
A Biography of the Pixel
August 3, 2021
Giving Bodies Back to Data
August 3, 2021
Tactics of Interfacing
August 11, 2020
MATERIAL WITNESS
February 25, 2020
From Fingers to Digits
July 16, 2019
Making Sense
July 9, 2019
Virtual Menageries
April 16, 2019
Laboratory Lifestyles
February 5, 2019
Invisible Colors
February 5, 2019
Weather as Medium
October 30, 2018
The Fourth Dimension and Non-Euclidean Geometry in Modern Art
May 18, 2018
Fred Forest's Utopia
September 8, 2017
Ecstatic Worlds
August 25, 2017
Voicetracks
May 12, 2017
Here/There
February 24, 2017
Machine Art in the Twentieth Century
December 23, 2016
Practicable
October 28, 2016
Social Media Archeology and Poetics
August 19, 2016
Screen Ecologies
May 13, 2016
Pirate Philosophy
April 15, 2016
Writing and Unwriting (Media) Art History
September 11, 2015