Visual Politics and Practices of Whiteness
352 pp., 6 x 9 in, 66 color illus., 10 b&w illus.
- Published: February 14, 2023
From the author of How to See the World comes a new history of white supremacist ways of seeing—and a strategy for dismantling them.
White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that white sight was not always common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with ever-expanding surveillance technologies to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence.
Analyzing recent events like the Black Lives Matter protests following the murder of George Floyd and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities for and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. White Sight is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.
“An urgent handbook for how to see, to unlearn, and to dismantle the infrastructures of cultural whiteness. White Sight is destined to become an essential text in the transdisciplinary study of visual culture and white supremacy.”
Dan Hicks, Professor of Contemporary Archaeology, University of Oxford; author of The Brutish Museums
“Incisively narrating the processes through which violent white ontologies are spatialized, this text is an essential complement to anticolonial attempts to re-visualize the material world.”
Zoé Samudzi, Assistant Professor in Photography, Rhode Island School of Design
“Urgent, thoughtful, provocative. In short, everything you would expect from Mirzoeff. He reminds us of our power to see a more just world.”
Alexis L. Boylan, Associate Professor in the Art and Art History Department and the Africana Studies Institute, University of Connecticut; author of Visual Culture (MIT Press)