Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional illustrations—providing a privileged view of the creative practice of a master architect. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of "disegno," as practiced by Leonardo and Durer—not only the act of drawing and modeling but also the dynamics of creative thinking—and shows how Gehry thinks through the curving movements of his hand on paper. Gehry himself describes for Bredekamp his method in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions.
Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of furniture design to such large-scale undertakings as the Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations, and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative process.
This book is published by The MIT Press in association with Violette Editions.
Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks.
For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Viola's chief concerns today are to draw attention to the upset ecological balance of nature by focusing on the connection between our inner and outer lives, on the conception of the self as part of the whole.
Published in association with the Anthony d'Offay Gallery, London