Aliens and Anorexia
Favorite Add to Favorites

From Semiotext(e) / Native Agents

Aliens and Anorexia

By Chris Kraus

In Aliens & Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem."

Distributed for Semiotext(e)

Overview

Author(s)

Praise

Summary

In Aliens & Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem."

As the rope was tightening around my neck, an Alien made love to me. Belief is a technology for softening the landscape. The world becomes more beautiful when God is in it. Here is what happens inside a person's body when they starve.Written in the shadow of Georg Buchner's Lenz at razor pitch, Aliens and Anorexia, first published in 2000, defines a female form of chance that is both emotional and radical. The book unfolds like a set of Chinese boxes, using stories and polemics to travel through a maze that spirals back into itself. Its characters include Simone Weil, the first radical philosopher of sadness, the artist Paul Thek, Kraus herself, and "Africa," her virtual S&M partner who's shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest Woods for the winter to chronicle the failure of Gravity & Grace, her own low-budget independent film. In Aliens and Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem." Anorexia, Kraus writes, could be an attempt to leave the body altogether: a rejection of the cynicism this culture hands us through its food.

Paperback

Out of Print ISBN: 9781584350019 244 pp. | 7 in x 4.5 in

Endorsements

  • Aliens & Anorexia is a tantalizing, messy, wildly associative and often brilliant book that leaps effortlessly between autobiography, art criticism, philosophy and fiction. [...] There are more ideas on every page of Aliens & Anorexia than in most books published in the last year. It is an exciting and courageous work.

    Ben Ehrenreich

    L.A. Weekly, (19 January 2001)