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In grunge and tartan, sideshow and magic lantern, Scottish Lost Boys presents Scotland as place and Scotland as idea in the imaginative flights, artistic struggles, and untimely deaths of a singular skeleton leaf clan.

Technology, Economics, Markets, and Policy

The global energy system is the vital foundation of modern human industrial society. Traditionally studied through separate disciplines of engineering, economics, environment, or public policy, this system can be fully understood only by using an approach that integrates these tools. This textbook is the first to take a dynamic systems perspective on understanding energy systems, tracking energy from primary resource to final energy services through a long and capital-intensive supply chain bounded by both macroeconomic and natural resource systems.

Rethinking Auxiliaries and Order in English

Research in syntax has found that there is a hierarchical ordering of projections within the verb phrase across languages (although researchers differ with respect to how fine grained they assume the hierarchy to be). In Situations and Syntactic Structures, Gillian Ramchand explores the hierarchy of the verb phrase from a semantic perspective, attempting to derive it from semantically sorted zones in the compositional semantics. The empirical ground is the auxiliary ordering found in the grammar of English.

The Hypothalamus and Its Hormones

As human beings, we prefer to think of ourselves as reasonable. But how much of what we do is really governed by reason? In this book, Gareth Leng considers the extent to which one small structure of the neuroendocrine brain—the hypothalamus—influences what we do, how we love, and who we are.

Why should interaction designers read critical theory? Critical theory is proving unexpectedly relevant to media and technology studies. The editors of this volume argue that reading critical theory—understood in the broadest sense, including but not limited to the Frankfurt School—can help designers do what they want to do; can teach wisdom itself; can provoke; and can introduce new ways of seeing.

The Tsetse Fly and African Knowledge Production

The tsetse fly is a pan-African insect that bites an infective forest animal and ingests blood filled with invisible parasites, which it carries and transmits into cattle and people as it bites them, leading to n’gana (animal trypanosomiasis) and sleeping sickness. In The Mobile Workshop, Clapperton Chakanetsa Mavhunga examines how the presence of the tsetse fly turned the forests of Zimbabwe and southern Africa into an open laboratory where African knowledge formed the basis of colonial tsetse control policies.

The Tape Journals of David Wojnarowicz

In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that’s like a flood, or something that’s like a weather system that’s out of control, that's dangerous, or alarming . . . . It just seems like sounds that have been uttered back and forth maybe now over centuries.

Amos Tversky (1937–1996) was a towering figure in the cognitive and decision sciences. His work was ingenious, exciting, and influential, spanning topics from intuition to statistics to behavioral economics. His long and extraordinarily productive collaboration with his friend and colleague Daniel Kahneman was the subject of Michael Lewis’s best-selling book, The Undoing Project: A Friendship that Changed Our Minds.

London Cemeteries in Old Photographs

Since they were established in the 1830s, London’s great cemeteries have inspired countless artists and photographers to record their quiet beauty and solemn majesty. 

Not just resting places for the city’s honoured dead, they also serve as great repositories of social, architectural, and geographic history, reflecting our changing attitudes to the great inevitable.

After seven years of silence, the acclaimed Strange Attractor Journal returns with a characteristically eclectic collection of high weirdness from the margins of culture. Covering previously uncharted regions of history, anthropology, art, literature, architecture, science, and magic since 2004, each Journal has presented new and unprecedented research into areas that scholarship has all too often ignored.

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