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Paperback | $19.95 Trade | £14.95 | 208 pp. | 6.63 x 10.25 in | October 2017 | ISBN: 9781946511041
eBook | $13.95 Trade | November 2017 | ISBN: 9781946511096
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Global Dystopias

Edited by Junot Díaz

Overview

As the recent success of Margaret Atwood’s novel-turned-television hit Handmaid’s Tale shows us, dystopia is more than minatory fantasy; it offers a critical lens upon the present. “It is not only a kind of vocabulary and idiom,” says bestselling author and volume editor Junot Diaz. “It is a useful arena in which to begin to think about who we are becoming.”

Bringing together some of the most prominent writers of science fiction and introducing fresh talent, this collection of stories, essays, and interviews explores global dystopias in apocalyptic landscapes and tech futures, in robot sentience and forever war. Global Dystopias engages the familiar horrors of George Orwell’s 1984 alongside new work by China Miéville, Tananarive Due, and Maria Dahvana Headley. In “Don’t Press Charges, and I Won’t Sue,” award-winning writer Charlie Jane Anders uses popularized stigmas toward transgender people to create a not-so-distant future in which conversion therapy is not only normalized, but funded by the government. Henry Farrell surveys the work of dystopian forebear Philip K. Dick and argues that distinctions between the present and the possible future aren’t always that clear. Contributors also include Margaret Atwood and award-winning speculative writer, Nalo Hopkinson.

In the era of Trump, resurgent populism, and climate denial, this collection poses vital questions about politics and civic responsibility and subjectivity itself. If we have, as Díaz says, reached peak dystopia, then Global Dystopias might just be the handbook we need to survive it.

Contributors
Charlie Jane Anders, Margaret Atwood, Tananarive Due, Maria Dahvana Headley, Nalo Hopkinson, Maureen McHugh, China Miéville, Alex Rivera, Jordy Rosenberg

About the Editor

Junot Díaz is the author of the Pulitzer Prize-winning novel The Brief Wondrous Life of Oscar Wao and the short story collections Drown and This Is How You Lose Her. Associate Professor in the Writing and Humanistic Studies Program at MIT, he is fiction editor of Boston Review.