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Hardcover | Out of Print | 358 pp. | 7 x 9 in | August 1999 | ISBN: 9780262201179
Paperback | $45.00 X | £37.95 | 358 pp. | 7 x 9 in | February 2001 | ISBN: 9780262700856
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The Historiography of Modern Architecture


Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history—of buildings to books—has been one of the most important themes in debates about the course of modern architecture.

Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure.

Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.

About the Author

Panayotis Tournikiotis is Assistant Professor at the School of Architecture, National Technical University of Athens.


“With this book, Panayotis Tournikiotis has achieved a great feat of architectural historiography.”
Francoise Choay, Professor of the History of Ideas and the History of Urbanism at the French Institute for Urbanism, University of Paris
“This is an extraordinary work of archaeology in conceptual art, full of surprises; it blazes deeply through political aspirations, failures, and achievements. The book brings back to life an incredible array of discussions about rich cultural issues which developed in the west from the mid 1960's to the mid 1970's. A challenging book for our times.”
Serge Guilbaut, Professor of Art History and Head, Department of Fine Arts, University of British Columbia