Musimathics, Volume 1
The Mathematical Foundations of Music
A commonsense, self-contained introduction to the mathematics and physics of music; essential reading for musicians, music engineers, and anyone interested in the intersection of art and science.
“Mathematics can be as effortless as humming a tune, if you know the tune,” writes Gareth Loy. In Musimathics, Loy teaches us the tune, providing a friendly and spirited tour of the mathematics of music—a commonsense, self-contained introduction for the nonspecialist reader. It is designed for musicians who find their art increasingly mediated by technology, and for anyone who is interested in the intersection of art and science.
In Volume 1, Loy presents the materials of music (notes, intervals, and scales); the physical properties of music (frequency, amplitude, duration, and timbre); the perception of music and sound (how we hear); and music composition. Calling himself “a composer seduced into mathematics,” Loy provides answers to foundational questions about the mathematics of music accessibly yet rigorously. The examples given are all practical problems in music and audio.
Additional material can be found at http://www.musimathics.com.
Downloadable instructor resources available for this title: file of figures in the book
HardcoverOut of Print ISBN: 9780262122825 504 pp. | 7 in x 9 in 263 illus.
Paperback$45.00 X ISBN: 9780262516556 504 pp. | 7 in x 9 in 263 illus.
From his long and successful experience as a composer and computer-music researcher, Gareth Loy knows what is challenging and what is important. That comprehensiveness makes Musimathics both exciting and enlightening. The book is crystal clear, so that even advanced issues appear simple. Musimathics will be essential for those who want to understand the scientific foundations of music, and for anyone wishing to create or process musical sounds with computers.
Laboratoire de Mécanique et d'Acoustique, CNRS, France
Musimathics is destined to be required reading and a valued reference for every composer, music researcher, multimedia engineer, and anyone else interested in the interplay between acoustics and music theory. This is truly a landmark work of scholarship and pedagogy, and Gareth Loy presents it with quite remarkable rigor and humor.
Stephen Travis Pope
CREATE Lab, Department of Music, University of California, Santa Barbara