From Information Policy
Political Cartoons and the Struggle against Censorship
A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing.
Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning—one of the most elemental forms of political speech—says something about the health of democracy. In a lively graphic narrative—drawn by Liew, himself a prize-winning cartoonist—Red Lines crisscrosses the globe to feel the pulse of a vocation under attack.
A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists—all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.
Paperback$34.95 T ISBN: 9780262543019 448 pp. | 7.25 in x 9.8125 in 624 figures
“This brilliant tribute to political cartoons is not only a visual feast, but also an in-depth treatise on contemporary threats to freedom of expression posed by governments, corporations, and grassroots forces ranging from religious extremists to well-meaning champions of social justice.”
John Marshall Harlan II Professor of Law Emerita, New York Law School; author of Hate: Why We Should Resist It with Free Speech, Not Censorship
“Few books grab a reader as Red Lines does. A history, an analysis, a cri de coeur, a celebration of ideas and art and human rights, all wrapped in an endlessly fascinating example of 'show, not tell.'”
UN Special Rapporteur on Freedom of Opinion and Expression (2014–2020) and Clinical Professor of Law, University of California, Irvine, School of Law
“The political cartoon is the art form of our deeply troubled world, and this brilliant, disturbing, and ultimately hopeful book is far and away the definitive guide.”
author of The Political Economy of Communication and The Digital Sublime