The Space of Appearance
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s.
HardcoverOut of Print ISBN: 9780262023788 409 pp. | 10 in x 8 in 149 illus.
Paperback$7.75 T ISBN: 9780262523431 409 pp. | 10 in x 8 in 149 illus.
A well-crafted, Hegelian fugue connecting three crucial epochs in modern architecture where the architectural is immersed in the political.
Robert-Jan van Pelt
George Baird's The Space of Appearance is an extremely welll-researched, historically-based adn theoretically-informed piece of work. Moreover, it is a very much needed plotting of the trajectory of modern architecture from the 1920s into the 1970s by a person whose own intellectual and professional formation substended the latter part of that trajectory. It has all the necessary ingredients of such an account, from the mjor characters in architecture to the intellectual historians and critics who previously sought to analyze the condition of modernism in broad terms. It is mainly, of course, Hannah Arendt who grounds Baird's thought and provides many of the categories- as well as those of others- with originality and precision and relates them to the problem of architecture in remarkably subtle and nuanced ways. And though Baird's is theoretical history, it also proves itself to be of important consequence for rethinking present design practice.
K. Michael Hays, Associate Professor of Architecture, Harvard University
Baird's argument is compelling. Perhaps a harbinger of things to come, it removes us from the irony and pessimism of postmodernism and reevalutes the hope and social commitment that the modernists never abandoned. Out of the depths of a very silent landscape, Baird rallies us to the call!
M. Christine Boyer,
Professor, School of Architecture, Princeton University