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Hardcover | $49.95 Trade | £41.95 | 448 pp. | 6.75 x 9.5 in | 94 color illus., 13 b&w illus. | November 2017 | ISBN: 9780262036603
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Trap Door

Trans Cultural Production and the Politics of Visibility

Overview

The increasing representation of trans identity throughout art and popular culture in recent years has been nothing if not paradoxical. Trans visibility is touted as a sign of a liberal society, but it has coincided with a political moment marked both by heightened violence against trans people (especially trans women of color) and by the suppression of trans rights under civil law. Trap Door grapples with these contradictions.
 
The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms. The volume speculates about a third term, perhaps uniquely suited for our time: the trapdoor, neither entrance nor exit, but a secret passageway leading elsewhere. Trap Door begins a conversation that extends through and beyond trans culture, showing how these issues have relevance for anyone invested in the ethics of visual culture. 

Contributors
Lexi Adsit, Sara Ahmed, Nicole Archer, Kai Lumumba Barrow, Johanna Burton, micha cárdenas, Mel Y. Chen, Grace Dunham, Treva Ellison, Sydney Freeland, Che Gossett, Reina Gossett, Stamatina Gregory, Miss Major Griffin-Gracy, Robert Hamblin, Eva Hayward, Juliana Huxtable, Yve Laris Cohen, Abram J. Lewis, Heather Love, Park McArthur, CeCe McDonald, Toshio Meronek, Fred Moten, Tavia Nyong’o, Morgan M. Page, Roy Pérez, Dean Spade, Eric A. Stanley, Jeannine Tang, Wu Tsang, Jeanne Vaccaro, Chris E. Vargas, Geo Wyeth, Kalaniopua Young, Constantina Zavitsanos

About the Editors

Reina Gossett is an artist, activist, and 2017 Activist in Residence at the Barnard Center for Research on Women. She directed The Personal Things (2016) and, with Sasha Wortzel, wrote, directed, and produced Happy Birthday, Marsha! (2017), a short film about legendary performer and activist Marsha P. Johnson.

Eric A. Stanley is Assistant Professor in the Department of Gender and Sexuality Studies at the University of California, Riverside, editor of Captive Genders: Trans Embodiment and the Prison Industrial Complex, and, with Chris E. Vargas, director of the films Homotopia (2006) and Criminal Queers (2016).

Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York and the series editor for the Critical Anthologies in Art and Culture.

Endorsements

Trap Door is necessary for now, a collection of essays unafraid of the messy contradictions of capitalism and its deleterious effects on bodies, movement, and land. This collection anchors us in ‘the paradox of this moment,’ increased transgender visibility alongside proliferating violence and rejection of transgender people personally, socially, and politically. Transdisciplinary and trans-historical, this text not only allows us to think race, gender, sexuality, and the state, simultaneously; it also contends with the material, ideological, and epistemological ramifications of visibility. The book is not simply about knowing or seeing, or even feeling; it makes its readers conscious of how it is we have come to know, see, and feel. This collection is a model text, a must read that demonstrates the highest potential of Transgender Studies as a field.”
Kai M. Green, Assistant Professor of Women’s, Gender and Sexuality Studies, Williams College
“Far-reaching in scope, Trap Door opens onto new terrain for transgender scholarship and activism. This book is ambitious, intellectually exciting, and an urgent read for anyone interested in the politics of gender and representation.”
C. Riley Snorton, Associate Professor of Black Sexuality Studies, Cornell University