The MIT Press @ CAA 2024
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September 26, 2023
October 17, 2023
November 21, 2023
Feminist Worldmaking and the Moving Image
September 27, 2022
June 6, 2023
October 19, 2021
August 11, 2020
October 24, 2023
February 6, 2024
December 5, 2023
August 24, 2021
November 9, 2021
September 19, 2023
June 6, 2023
October 24, 2023
November 21, 2023
September 6, 2022
September 14, 2021
Is Now the Time for Joyous Rage?
August 1, 2023
November 22, 2022
June 13, 2023
March 7, 2023
April 25, 2023
Richard Riemerschmid's Extraordinary Living Things
November 1, 2022
May 30, 2023
November 8, 2022
November 21, 2023
#You Know You're Black in France When…
February 14, 2023
December 5, 2023
October 10, 2023
June 1, 2021
May 2, 2023
The Effect of Tropical Light on White Men
November 21, 2023
January 16, 2024
The Sensorium of the Drone and Communities
October 3, 2023
October 3, 2023
September 13, 2022
February 14, 2023
June 13, 2023
January 23, 2024
October 31, 2023
August 22, 2023
Christa Sommerer & Laurent Mignonneau
February 7, 2023
September 5, 2023
October 3, 2023
June 6, 2023
August 1, 2023
November 22, 2022
October 3, 2023
May 23, 2023
June 13, 2023
December 12, 2023
February 6, 2024
October 24, 2023
August 31, 2021
November 21, 2023
Graphic Artists Guild Handbook
May 18, 2021
September 26, 2023
October 24, 2023
Amaza Lee Meredith Imagines Herself Modern
November 28, 2023
February 14, 2023
August 15, 2023
November 28, 2023
June 6, 2023
November 28, 2023
June 20, 2023
February 28, 2023
May 23, 2023
January 23, 2024
May 10, 2022
November 7, 2023
Journals
CriticalProductive Journal is an independent, peer-reviewed academic journal / magazine. It is a space in which cultural theorists, designers, architects, urbanists, artists, humanists, and activists can reflect on contemporary culture and experiment with provocative ideas, such as how to disrupt normative paradigms, how to activate and catalyze new potentials, and how best to utilize technology, data, and moving image to convey information.
We publish innovative research, scholarship, and creative work that is at the forefront of architecture, urbanism, and cultural theory. We welcome essays, creative design work, and visual art.
Leonardo
Leonardo is the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and the application and influence of the arts and humanities on science and technology.
Leonardo is interested in work that crosses the artificial boundaries separating contemporary arts and sciences. Featuring illustrated articles written by artists about their own work as well as articles by historians, theoreticians, philosophers and other researchers, the journal is particularly concerned with issues related to the interaction of the arts, sciences and technology.
ARTMargins
ARTMargins publishes material related to the histories of 20th-century and contemporary art, art theory, art institutions, and curatorship. It places special emphasis on marginal histories and innovative critical and methodological perspectives. The editors are particularly interested in submissions that consider art within sociocultural, political, and theoretical contexts. They also welcome attention to the work of artists and art thinkers who work outside of English-speaking and official circuits. Submissions may consider, among other things, questions pertaining to art and politics, periodization and historicization—including the contemporary—sovereignty, post colonialism, decolonization, the notion of the global, and/or the transition from and towards socialism.