College Arts Association 2024

The MIT Press @ CAA 2024

Browse our latest books and order titles below for 30% off using discount code MITPCONF when you order through the MIT Press bookstore. Offer valid online at mitpressbookstore.mit.edu through February 29th, 2024. Terms and conditions apply. For assistance, email books@mit.edu.

For textbook desk/exam copies, click the book jacket and then follow the steps.

Sexus Botanicus

Joanne Anton, Erik Butler

September 26, 2023

Distant Viewing

Taylor Arnold, Lauren Tilton

October 17, 2023

Austin Osman Spare

Phil Baker, Alan Moore

November 21, 2023

Feminist Worldmaking and the Moving Image

Erika Balsom, Hila Peleg

September 27, 2022

Donald Rodney

Richard Birkett

June 6, 2023

Dressing Up

Elizabeth L. Block

October 19, 2021

Visual Culture

Alexis L. Boylan

August 11, 2020

Dis…Miss Gender?

Anne Bray

October 24, 2023

Mortevivum

Kimberly Juanita Brown

February 6, 2024

Politically Red

Eduardo Cadava, Sara Nadal-Melsió

December 5, 2023

A Black Gaze

Tina M. Campt

August 24, 2021

Since 1839…

Clément Chéroux, Shane B. Lillis

November 9, 2021

Truth

Sean Cubitt

September 19, 2023

Radical Futurisms

T. J. Demos

June 6, 2023

Activism

Afonso Dias Ramos, Tom Snow

October 24, 2023

Navigation Beyond Vision

e-flux journal

November 21, 2023

In the Black Fantastic

Ekow Eshun

September 6, 2022

Designing Motherhood

Michelle Millar Fisher, Amber Winick, Alexandra Lange

September 14, 2021

Is Now the Time for Joyous Rage?

Jacqueline Francis, Jeanne Gerrity

August 1, 2023

Kara Walker

Vanina Géré

November 22, 2022

Facing Black Star

Thierry Gervais, Vincent Lavoie

June 13, 2023

The Language of the Face

Frank Gonzalez-Crussi

March 7, 2023

Supervision

Sophie Hamacher, Jessica Hankey

April 25, 2023

Art + DIY Electronics

Garnet Hertz

May 30, 2023

Symbionts

Caroline A. Jones, Natalie Bell, Selby Nimrod

November 8, 2022

Picture-Work

Diana Kamin

November 21, 2023

#You Know You're Black in France When…

Trica Keaton

February 14, 2023

After Eating

Lindsay Kelley

December 5, 2023

Making Meaning with Machines

Amy LaViers, Catherine Maguire

October 10, 2023

Carrie Mae Weems

Sarah Elizabeth Lewis, Christine Garnier

June 1, 2021

The New Designer

Manuel Lima

May 2, 2023

The Effect of Tropical Light on White Men

Catherine Lord

November 21, 2023

Tactical Publishing

Alessandro Ludovico, Nick Montfort

January 16, 2024

The Sensorium of the Drone and Communities

Kathrin Maurer

October 3, 2023

Racism Untaught

Lisa E. Mercer, Terresa Moses, Cheryl D. Miller

October 3, 2023

Master of the Two Left Feet

Richard Meyer

September 13, 2022

White Sight

Nicholas Mirzoeff

February 14, 2023

Hugh Hayden

Sarah J. Montross

June 13, 2023

Melancholy Wedgwood

Iris Moon

January 23, 2024

An Anthology of Blackness

Terresa Moses, Omari Souza, Elizabeth (Dori) Tunstall

October 31, 2023

Voidopolis

Kat Mustatea, Charlotte Kent, Arielle Saiber

August 22, 2023

Christa Sommerer & Laurent Mignonneau

Karin Ohlenschläger, Peter Weibel, Alfred Weidinger

February 7, 2023

Feminist Designer

Alison Place

September 5, 2023

Flowering Under Stress

Ana Prvački, Zadie Smith

October 3, 2023

Martin Kippenberger

Chris Reitz

June 6, 2023

Kafka for Kids

Roee Rosen, Fanni Fetzer

August 1, 2023

Art for Coexistence

Christine Ross

November 22, 2022

In Visible Presence

Oksana Sarkisova, Olga Shevchenko

October 3, 2023

Cheyney Thompson

Christian Schaernack, Ben Caton

May 23, 2023

The Culture of the Case

Frederic J. Schwartz

June 13, 2023

Shadows of Reality

Clive Scott, Nick Warr

December 12, 2023

Art as Demonstration

Sven Spieker

February 6, 2024

Artless

Natasha Stagg

October 24, 2023

Gender(s)

Kathryn Bond Stockton

August 31, 2021

Postcards for Mia

Michael Taussig

November 21, 2023

Graphic Artists Guild Handbook

The Graphic Artists Guild

May 18, 2021

Very Fantastically Arranged

Caragh Thuring

September 26, 2023

Mondrian's Dress

Nancy J. Troy, Ann Marguerite Tartsinis

October 24, 2023

Amaza Lee Meredith Imagines Herself Modern

Jacqueline Taylor

November 28, 2023

Decolonizing Design

Elizabeth (Dori) Tunstall

February 14, 2023

Kathrin Böhm

Gerrie van Noord, Paul O'Neill, Mick Wilson

August 15, 2023

Alfredo Jaar

Edward A. Vazquez

November 28, 2023

Picture Research

Nina Lager Vestberg

June 6, 2023

Subject Matter

Aron Vinegar

November 28, 2023

Speculation

Marina Vishmidt

June 20, 2023

Postsensual Aesthetics

James Voorhies

February 28, 2023

Computational Formalism

Amanda Wasielewski

May 23, 2023

Emergency Money

Tom Wilkinson

January 23, 2024

Hollis Frampton

Michael Zryd

May 10, 2022

The Perception Machine

Joanna Zylinska

November 7, 2023

Journals

CriticalProductive Journal is an independent, peer-reviewed academic journal / magazine. It is a space in which cultural theorists, designers, architects, urbanists, artists, humanists, and activists can reflect on contemporary culture and experiment with provocative ideas, such as how to disrupt normative paradigms, how to activate and catalyze new potentials, and how best to utilize technology, data, and moving image to convey information.

We publish innovative research, scholarship, and creative work that is at the forefront of architecture, urbanism, and cultural theory. We welcome essays, creative design work, and visual art.

Leonardo

Leonardo is the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and the application and influence of the arts and humanities on science and technology.

Leonardo is interested in work that crosses the artificial boundaries separating contemporary arts and sciences. Featuring illustrated articles written by artists about their own work as well as articles by historians, theoreticians, philosophers and other researchers, the journal is particularly concerned with issues related to the interaction of the arts, sciences and technology.

ARTMargins

ARTMargins publishes material related to the histories of 20th-century and contemporary art, art theory, art institutions, and curatorship. It places special emphasis on marginal histories and innovative critical and methodological perspectives. The editors are particularly interested in submissions that consider art within sociocultural, political, and theoretical contexts. They also welcome attention to the work of artists and art thinkers who work outside of English-speaking and official circuits. Submissions may consider, among other things, questions pertaining to art and politics, periodization and historicization—including the contemporary—sovereignty, post colonialism, decolonization, the notion of the global, and/or the transition from and towards socialism.