First published in 1999, Gary Indiana’s Three Month Fever is the second volume of his famed crime trilogy that is being republished by Semiotexte (following Resentment in 2015). In this brilliant and gripping hybrid of narrative and reflection, Indiana considers the way the media’s hypercoverage transformed Andrew Cunanan’s life “from the somewhat poignant and depressing but fairly ordinary thing it was into a narrative overripe with tabloid evil.”
In Aberrant Movements: The Philosophy of Gilles Deleuze, David Lapoujade offers one of the first comprehensive treatments of Deleuzian thought. Drawing on the entirety of Deleuze’s work as well as his collaborations with Félix Guattari, from the “transcendental empiricism” of Difference and Repetition to the schizoanalysis and geophilosophy of Anti-Oedipus and A Thousand Plateaus, Lapoujade explores the central problem underlying the delirious coherence of Deleuze’s philosophy: aberrant movements.
On the night of September 26th, 2014, a group of student protestors was attacked by policemen in the Mexican town of Iguala. Forty-three of these students were then kidnapped and turned over to criminals who allegedly tortured and murdered them, and then burned their corpses. The families of the victims refused to accept the official story, which placed all blame on local actors and absolved the federal government of any culpability.
The Complete Madame Realism and Other Stories gathers together Lynne Tillman’s groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern “Madame Realism.”
When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory.
“I loved Michel as Michel, not as a father. Never did I feel the slightest jealousy or the slightest embitterment or exasperation when it came to him. It was something that no one has a right to expect from the best son or the best lover.”
—from Learning What Love Means
I read and wrote to invoke what seemed impossible—relation itself—in order to take part in a world that ceaselessly makes itself up, to “wake up” to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing. —from Communal Nude
Tony Duvert’s novel Atlantic Island (originally published in French in 1979) takes place in the soul-crushing suburbs of a remote island off the coast of France. It is told through the shifting perspectives of a group of pubescent and prepubescent boys, ages seven to fourteen, who gather together at night in secret to carry out a series of burglaries throughout their neighborhood. The boys vandalize living rooms and kitchens and make off with, for the most part, petty objects of no value.
Often approached through their “micropolitics of desire,” the joint works of Deleuze and Guattari are rarely part of the discussion when classical and contemporary problems of political thought come under scrutiny.
One day, I was not famous, the next day, I was almost famous and the temptation to go wide with that and reject my past was too great. When I was legit famous, it was hard to tell when the change had occurred... If I had been born famous, the moment I would have started engaging in social media, I would have seen this fame, not the rise of it. But first I saw the low numbers, and later, the high ones. —from Surveys
Franco “Bifo” Berardi’s newest book analyzes the contemporary changes taking place in our aesthetic and emotional sensibility—changes the author claims are the result of semio-capitalism’s capturing of the inner resources of the subjective process: our experience of time, our sensibility, the way we relate to each other, and our ability to imagine a future. Precarization and fractalization of labor have provoked a deep mutation in the psychosphere, and this can be seen in the rise of psychopathologies such as post-traumatic stress disorder, autism, panic, and attention deficit disorder.
Originally published in 1997, Resentment was the first in Gary Indiana’s now-classic trilogy (followed in 1999 by Three Month Fever: The Andrew Cunanan Story and in 2003 by Depraved Indifference) chronicling the more-or-less permanent state of “depraved indifference” that characterized American life at the millennium’s end.
Ronnie Reagan’s bizarre legs are sufficient reason to watch John Loves Mary (1949), a picture so ordinaire it needs this bizarre touch. When the faces in this historic still from the Museum of Modern Art are cropped, Reagan could pass for a butch lez from the Women’s Army Corps who is about to put the old make on a fluff (Patricia Neal). —from Cruising the Movies
The Well-Dressed Wound is Derek McCormack’s play script “séance”: a fashion show by the dead for the living. In the depths of the Civil War, in a theater in P. T. Barnum’s American Museum on Broadway, Abraham and Mary Todd Lincoln participate in a staged spiritualistic rite. But the medium conducting them has invited along another being: the Devil, disguised as twentieth-century French fashionista Martin Margiela (aka “King Faggot”).
A moving meld of essay, memoir, and story, When the Sick Rule the World collects Dodie Bellamy’s new and recent lyric prose. Taking on topics as eclectic as vomit, Kathy Acker’s wardrobe, and Occupy Oakland, Bellamy here examines illness, health, and the body—both the social body and the individual body—in essays that glitter with wit even at their darkest moments.
Originally published in Italian in 2002, When the Word Becomes Flesh provides a compelling contribution to the understanding of language and its relation to human nature and social relationships. Adopting Aristotle’s definition of the human being as a linguistic and political animal, Paolo Virno frames the act of speech as a foundational philosophical issue—an act that in its purely performative essence ultimately determines our ability to pass from the state of possibility to one of actuality: that is, from the power to act to action itself.
Originally published in French in 1972, Psychoanalysis and Transversality gathers all the articles that Félix Guattari wrote between 1955 and 1971. It provides a fascinating account of his intellectual and political itinerary before Anti-Oedipus: Capitalism and Schizophrenia (1972), the ground-breaking book he wrote with Gilles Deleuze, propelled him to the forefront of contemporary French philosophy.
The Invisible Committee’s The Coming Insurrection was a phenomenon, celebrated in some quarters and inveighed against in others, publicized in media that ranged from campus bulletin boards to Fox News. Seven years later, The Invisible Committee follows up their premonitory manifesto with a new book, To Our Friends.