In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera’s founding myth—the story of Orpheus and Eurydice: Orpheus’s attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death.
At the end of the twentieth century, intellectual property rights collided with everyday life. Expansive copyright laws and digital rights management technologies sought to shut down new forms of copying and remixing made possible by the Internet. International laws expanding patent rights threatened the lives of millions of people around the world living with HIV/AIDS by limiting their access to cheap generic medicines.
Why do walls marking national boundaries proliferate amid widespread proclamations of global connectedness and despite anticipation of a world without borders? Why are barricades built of concrete, steel, and barbed wire when threats to the nation today are so often miniaturized, vaporous, clandestine, dispersed, or networked?
Hearing has traditionally been regarded as the second sense—as somehow less rational and less modern than the first sense, sight. Reason and Resonance explodes this myth by reconstructing the process through which the ear came to play a central role in modern culture and rationality.
In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists--a landscape obscured by art history’s disciplinary compulsion to anchor its data securely in time.
From natural disaster areas to zones of political conflict around the world, a new logic of intervention combines military action and humanitarian aid, conflates moral imperatives and political arguments, and confuses the concepts of legitimacy and legality.
On the eve of its fifth decade, the Israeli occupation in the Palestinian territories can no longer be considered a temporary aberration. Israel’s control over Palestinian life, society, space and land has become firmly entrenched while acquiring more sophisticated and enduring forms.The Power of Inclusive Exclusion analyzes the Israeli occupation as a rationalized system of political rule.
The Signature of All Things is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archaeological vigilance: a persistent form of thinking in order to expose, examine, and elaborate what is obscure, unanalyzed, even unsaid, in an author’s thought.
The pirate is the original enemy of humankind. As Cicero famously remarked, there are certain enemies with whom one may negotiate and with whom, circumstances permitting, one may establish a truce. But there is also an enemy with whom treaties are in vain and war remains incessant.
In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyone—even a stateless person—who addresses others through photographs or is addressed by photographs can become a member of the citizenry of photography. The civil contract of photography enables anyone to pursue political agency and resistance through photography.
Rituals of War is an investigation into the earliest historical records of violence and biopolitics. In Mesopotamia, ancient (ca. 3000-500 BCE) Iraqi rituals of war and images of violence constituted part of the magical technologies of warfare that formed the underlying irrational processes of war. In Rituals of War, Zainab Bahrani weaves together three lines of inquiry into one historical domain of violence: war, the body, and representation.
"This book version of La Jetée is, to my mind, astonishingly beautiful. It brings a total freshness to the work and a new way to use photos to deal with dramatic events. Not a film's book, but a book in its own right ;the real ciné-roman announced in the film's credits." ;Chris MarkerLa Jetée, the legendary science fiction film about time and memory after a nuclear apocalypse, was released in 1964 and is considered by many critics to be among the greatest experimental films ever made.
Tony Conrad has significantly influenced cultural developments from minimalism to underground film, “concept art,” postmodern appropriation, and the most sophisticated rock and roll. Creator of the “structural” film, The Flicker, collaborator on Jack Smith’s Flaming Creatures and Normal Love, follower of Henry Flynt’s radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories.
Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences—and show how the concept differs from its alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images.
The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich historical, aesthetic, and political meanings and effects. In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our time.
The philosophical tradition in the West has always subjected life to conceptual divisions and questions about meaning. In Vital Nourishment, François Jullien contends that although this process has given rise to a rich history of inquiry, it proceeds too fast. In their anxiety about meaning, Western thinkers since Plato have forgotten simply to experience life. In this installment of his continuing project of plumbing the philosophical divide between Eastern and Western thought, Jullien slows down, and, using the third and fourth century B.C.E.
The Inner Touch presents the archaeology of a single sense: the sense of being sentient. Aristotle was perhaps the first to define this faculty when in his treatise On the Soul he identified a sensory power, irreducible to the five senses, by which animals perceive that they are perceiving: the simple "sense," as he wrote, "that we are seeing and hearing." After him, thinkers returned, time and again, to define and redefine this curious sensation.
In Praise of the Whip: A Cultural History of Arousal is a new history of voluntary flagellation in Europe, from its invention in medieval religious devotion to its use in the modern pornographic imagination. Working with a wide range of religious, literary, and medical texts and images, Niklaus Largier explores the emotional and sensual, religious and erotic excitement of the whip, a crucial instrument of stimulation in devotional and sexual practices.
To be involved in politics without aspiring to govern, without seeking to be governed by the best leaders, without desiring to abolish all forms of government: such is the condition common to practitioners of nongovernmental politics. Whether these activists concern themselves with providing humanitarian aid, monitoring human rights violations, protecting the environment, educating consumers, or improving the safety of workers, the legitimacy and efficacy of their initiatives demand that they forsake conventional political ambitions.
Who are you? And how can you prove it? How were individuals described and identified in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In Who are You?, Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were--and are--powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity.
This illuminating study by Christian Jambet explores the essential elements of the philosophical system of Mulla Sadra Shirazi, an Iranian Shi'ite of the seventeenth century. The writings of Mulla Sadra Shirazi (d. 1640) bear witness to the divine revelation in every act of being, from the most humble to the most celebrated. More generally, Islamic philosophy employs an ontology of the real that is important to the destiny of metaphysics, an ontology that belongs to our own universe of thought.
Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing attention to what they called "women's secrets," by which they meant female sexuality and generation. At the same time, Italian physicians and surgeons began to open human bodies in order to study their functions and the illnesses that afflicted them, culminating in the great illustrated anatomical treatise of Andreas Vesalius in 1543.
When Jean-Pierre Vernant first published Myth and Thought among the Greeks in 1965, it transformed the field of ancient Greek scholarship, calling forth a new way to think about Greek myth and thought. In eighteen essays--three of which, along with a new preface, are translated into English for the first time--Vernant freed the subject of ancient Greece from its philological chains and reread the questions of "muthos" and "logos" within multifaced and transdisciplinary contexts--of religion, ritual, and art, philosophy, science, social and economic institutions, and historical psychology.
Are the attacks on academic freedom after 9/11 a passing storm, or do they represent a structural shift that undermines one of the pillars of democratic societies? This book brings together some of this nation's leading scholars to analyze the challenges to academic freedom posed by post-9/11 political interventions and the market-driven commercialization of knowledge, examining these issues in light of the major transformations in the system of higher education since the Second World War, including conflicting interpretations of what constitutes academic freedom.
How does the funeral oration relate to democracy in ancient Greece? How did the death of an individual citizen-soldier become the occasion to praise the city of Athens? In The Invention of Athens, Nicole Loraux traces the different rhetoric, politics, and ideology of funeral orations--epitaphioi--from Thucidydes, Gorgias, Lysias, and Demosthenes to Plato. Arguing that the ceremony of public burial began circa 508-460 BCE, Loraux demonstrates that the institution of the funeral oration developed under Athenian democracy.