Eduardo Kac

Eduardo Kac is an internationally renowned artist who has received critical acclaim for net and bio works including Genesis, GFP Bunny, and Move 36. His work has been widely exhibited and is in the permanent collections of the Museum of Modern Art in New York and the Museum of Modern Art in Rio de Janeiro, among others.

  • Signs of Life

    Signs of Life

    Bio Art and Beyond

    Eduardo Kac

    The theory and practice of bio art, a new art form that uses the materials and processes of biotechnology, with examples of work by such prominent artists as Eduardo Kac and Marc Quinn.

    Bio art is a new art form that has emerged from the cultural impact and increasing accessibility of contemporary biotechnology. Signs of Life is the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bio art and offering examples of work by prominent artists.

    Bio art manipulates the processes of life; in its most radical form, it invents or transforms living organisms. It is not representational; bio art is in vivo. (A celebrated example is Eduardo Kac's own GFP Bunny, centered on "Alba," the transgenic fluorescent green rabbit.) The creations of bio art become a part of evolution and, provided they are capable of reproduction, can last as long as life exists on earth. Thus, bio art raises unprecedented questions about the future of life, evolution, society, and art.

    The contributors to Signs of Life articulate the critical theory of bio art and document its fundamental works. The writers—who include such prominent scholars as Barbara Stafford, Eugene Thacker, and Dorothy Nelkin—consider the culture and aesthetics of biotechnology, the ethical and philosophical aspects of bio art, and biology in art history. The section devoted to artworks and artists includes George Gessert's Why I Breed Plants, Oron Catts and Ionat Zurr's Semi-Living Art, Marc Quinn's Genomic Portrait, and Heather Ackroyd and Dan Harvey's Chlorophyll.

    • Hardcover $36.95 £30.00
    • Paperback $29.95 £25.00

Contributor

  • Imagery in the 21st Century

    Imagery in the 21st Century

    Oliver Grau

    Scholars from science, art, and humanities explore the meaning of our new image worlds and offer new strategies for visual analysis.

    We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today's information explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual.

    Imagery in the 21st Century examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. The contributors explore and discuss new critical terms of multidisciplinary scope, from database economy to the dramaturgy of hypermedia, from visualizations in neuroscience to the image in bio art. They consider the power of the image in the development of human consciousness, pursue new definitions of visual phenomena, and examine new tools for image research and visual analysis.

    • Hardcover $19.75 £15.99
    • Paperback $35.00 £28.00