Jan J. Koenderink

Jan Koenderink was Professor of Physics at Utrecht University for many years. He is currently a Research Fellow at Delft University of Technology and Visiting Professor at MIT and École National Supérieure Paris. He is the author of Solid Shape (MIT Press, 1990).

  • Color for the Sciences

    Color for the Sciences

    Jan J. Koenderink

    A comprehensive introduction to colorimetry from a conceptual perspective.

    Color for the Sciences is the first book on colorimetry to offer an account that emphasizes conceptual and formal issues rather than applications. Jan Koenderink's introductory text treats colorimetry—literally, “color measurement”—as a science, freeing the topic from the usual fixation on conventional praxis and how to get the “right” result. Readers of Color for the Sciences will learn to rethink concepts from the roots in order to reach a broader, conceptual understanding.

    After a brief account of the history of the discipline (beginning with Isaac Newton) and a chapter titled “Colorimetry for Dummies,” the heart of the book covers the main topics in colorimetry, including the space of beams, achromatic beams, edge colors, optimum colors, color atlases, and spectra. Other chapters cover more specialized topics, including implementations, metrics pioneered by Schrödinger and Helmholtz, and extended color space.

    Color for the Sciences can be used as a reference for professionals or in a formal introductory course on colorimetry. It will be especially useful both for those working with color in a scientific or engineering context who find the standard texts lacking and for professionals and students in image engineering, computer graphics, and computer science. Each chapter ends with exercises, many of which are open-ended, suggesting ways to explore the topic further, and can be developed into research projects. The text and notes contain numerous suggestions for demonstration experiments and individual explorations. The book is self-contained, with formal methods explained in appendixes when necessary.

    • Hardcover $65.00 £55.00
  • Solid Shape

    Solid Shape

    Jan J. Koenderink

    Solid Shape gives engineers and applied scientists access to the extensive mathematical literature on three dimensional shapes. Drawing on the author's deep and personal understanding of three-dimensional space, it adopts an intuitive visual approach designed to develop heuristic tools of real use in applied contexts. Increasing activity in such areas as computer aided design and robotics calls for sophisticated methods to characterize solid objects. A wealth of mathematical research exists that can greatly facilitate this work yet engineers have continued to "reinvent the wheel" as they grapple with problems in three dimensional geometry. Solid Shape bridges the gap that now exists between technical and modern geometry and shape theory or computer vision, offering engineers a new way to develop the intuitive feel for behavior of a system under varying situations without learning the mathematicians' formal proofs. Reliance on descriptive geometry rather than analysis and on representations most easily implemented on microcomputers reinforces this emphasis on transforming the theoretical to the practical. Chapters cover shape and space, Euclidean space, curved submanifolds, curves, local patches, global patches, applications in ecological optics, morphogenesis, shape in flux, and flux models. A final chapter on literature research and an appendix on how to draw and use diagrams invite readers to follow their own pursuits in threedimensional shape.

    Solid Shape is included in the Artificial Intelligence series, edited by Patrick Winston, Michael Brady, and Daniel Bobrow

    • Hardcover $19.75 £15.99

Contributor

  • Perception beyond Inference

    Perception beyond Inference

    The Information Content of Visual Processes

    Liliana Albertazzi, Gert J. van Tonder, and Dhanraj Vishwanath

    Proposing a new paradigm for perceptual science that goes beyond standard information theory and digital computation.

    This book breaks with the conventional model of perception that views vision as a mere inference to an objective reality on the basis of "inverse optics." The authors offer the alternative view that perception is an expressive and awareness-generating process. Perception creates semantic information in such a way as to enable the observer to deal efficaciously with the chaotic and meaningless structure present at the physical boundary between the body and its surroundings. Vision is intentional by its very nature; visual qualities are essential and real, providing an aesthetic and meaningful interface to the structures of physics and the state of the brain. This view brings perception firmly in line with ethology and modern evolutionary biology and suggests new approaches in all disciplines that study, or require an understanding of, the ontology of mind.

    The book is the joint effort of a multidisciplinary group of authors. Topics covered include the relationships among stimuli, neuronal processes, and visual awareness. After considering the mind-dependent growing of information, the book treats time and dynamics; color, shape, and space; language and perception; perception, art, and design.

    • Hardcover $13.75 £10.99