Joan Copjec

Joan Copjec is Professor of English, Comparative Literature, and Media Study at the University at Buffalo, where she is also Director of the Center for the Study of Psychoanalysis and Culture.

  • Imagine There's No Woman

    Imagine There's No Woman

    Ethics and Sublimation

    Joan Copjec

    A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan's theories of ethics and feminine sexuality.

    Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.

    • Hardcover $34.95 £28.00
    • Paperback $30.00 £25.00
  • October

    The First Decade, 1976-1986

    Annette Michelson, Rosalind E. Krauss, Douglas Crimp, and Joan Copjec

    OCTOBER: The First Decade brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory.

    Contributors Rosalind Krauss, Sergei Eisenstein, Peter Handke, Georges Didi Huberman, Mary Ann Doane, and Hans Haacke. Their essays are organized under the categories of the index, historical materialism, the critique of institutions, psychoanalysis, rhetoric, and the body.

    • Hardcover $40.00
    • Paperback $17.95