Mark Foster Gage

Mark Foster Gage is Associate Professor and Assistant Dean at the Yale School of Architecture. A practicing architect, he is the subject of the monograph Mark Foster Gage: Projects and Provocations, editor of Aesthetic Theory: Essential Texts for Architecture and Design and The Space of Social Equity and the author of Designing Social Equality: Architecture, Aesthetics and the Perception of Democracy, and other books. His design work has been exhibited in such venues as the Museum of Modern Art in New York, the Art Institute of Chicago, and the Venice Biennale.

  • Aesthetics Equals Politics

    Aesthetics Equals Politics

    New Discourses across Art, Architecture, and Philosophy

    Mark Foster Gage

    How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement.

    These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed.

    The contributors—philosophers, media theorists, artists, curators, writers and architects including such notable figures as Jacques Rancière, Graham Harman, and Elaine Scarry—build a compelling framework for a new aesthetic discourse. The book opens with a conversation in which Rancière tells the volume's editor, Mark Foster Gage, that the aesthetic is “about the experience of a common world.” The essays following discuss such topics as the perception of reality; abstraction in ethics, epistemology, and aesthetics as the “first philosophy”; Afrofuturism; Xenofeminism; philosophical realism; the productive force of alienation; and the unbearable lightness of current creative discourse.

    Contributors Mark Foster Gage, Jacques Rancière, Elaine Scarry, Graham Harman, Timothy Morton, Ferda Kolatan, Adam Fure, Michael Young, Nettrice R. Gaskins, Roger Rothman, Diann Bauer, Matt Shaw, Albena Yaneva, Brett Mommersteeg, Lydia Kallipoliti, Ariane Lourie Harrison, Rhett Russo, Peggy Deamer, Caroline Picard

    Matt Shaw, Managing Editor

    • Hardcover $34.95 £28.00

Contributor

  • Perspecta 40 "Monster"

    Perspecta 40 "Monster"

    The Yale Architectural Journal

    Marc Guberman, Jacob Reidel, and Frida Rosenberg

    A monster is in our midst, and its name is Architecture.

    Contemporary architecture is in many ways a monstrous thing. It is bigger, more broadly defined, increasingly complicated, more costly, and stylistically and formally heterogeneous—if not downright unhinged. Not only is the scale of the built environment expanding, but so is the territory of the architectural profession itself. A perfect storm of history, technology, economics, politics, and pedagogy has generated a moment in time in which anything seems possible. The results have been at times strange and even frightening.

    Long ago, the birth of an abnormal creature was interpreted as a sign of looming trouble. These monstra—from the Latin monere, “to warn” and monstrare, “to show”—were viewed with both fear and fascination. This fortieth issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—examines architecture past and present through the lens of the monster. The contributors—a diverse group of scholars, practitioners, and artists—embrace the multitude of meanings this term carries in an attempt to understand how architecture arrived at its present situation and where it may be going. Perspecta 40 represents in itself a kind of monster—a hybrid, jumbled, conflicting amalgamation of work and ideas that looks at the past in new ways and tells of things to come.

    Contributors Philip Bernstein, Mario Carpo, Arindam Dutta, Ed Eigen, Mark Gage, Gensler, Marcelyn Gow and Ulrika Karlsson (servo), Catherine Ingraham, Mark Jarzombek, Terry Kirk, Leon Krier, Greg Lynn, John May, John McMorrough, Colin Montgomery, Guy Nordenson, Eeva-Liisa Pelkonen, Emmanuel Petit, Kevin Roche, Yoshiharu Tsukamoto (Atelier Bow-Wow) and Ryuji Fujimura, Michael Weinstock, Claire Zimmerman

    • Paperback $25.00 £20.00