Oraib Toukan

  • Sundry Modernism

    Sundry Modernism

    Materials for a Study of Palestinian Modernism

    Oraib Toukan

    With Sundry Modernism, Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho. Using her photographs as conversation prompts with various residents, historians, and architects, Toukan places the anecdotes collected thereby into political and historical context, weaving together narrative and critique. Sundry Modernism sets out to be a gesture, a nod, a salutation to, and a critique of, the lines and angles of Palestinian modernism. It is a provocation on the act of looking, and, in particular, it is a proposal for reading apolitical forms in politicized contexts.

    Oraib Toukan is an artist and Clarendon Scholar at the Ruskin School of Art, University of Oxford. This bilingual English and Arabic publication follows Toukan's participation in the 5th Riwaq Biennale (2014–16), and has been produced with support from Mophradat.

    • Paperback $19.95

Contributor

  • Navigation Beyond Vision

    Navigation Beyond Vision

    e-flux journal

    How the shift from montage to navigation alters the way images—and art—operate as models of political action and modes of political intervention.

    Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.

    Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?

    Contributors

    Ramon Amaro, James Bridle, Maïté Chénière, Kodwo Eshun, Anselm Franke, Jennifer Gabrys, Tom Holert, Inhabitants, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Nikolay Smirnov, Hito Steyerl, Oraib Toukan, and Brian Kuan Wood.

    • Paperback $24.00