Samuel Bianchini

Samuel Bianchini, an artist and researcher, is Associate Professor at the École Nationale Supérieure des Arts Décoratifs (EnsAD), PSL Research University Paris where he is the head of the "Reflective Interaction" Research Group of EnsadLab, the school's laboratory.

  • Practicable

    Practicable

    From Participation to Interaction in Contemporary Art

    Samuel Bianchini and Erik Verhagen

    Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.

    How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of “practicable” art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.

    The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text.

    Contributors Matt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David Zerbib

    Edited by Samuel Bianchini and Erik Verhagen with the collaboration of Nathalie Delbard and Larisa Dryansky.

    • Hardcover $55.00 £43.00
  • Behavioral Objects I

    Behavioral Objects I

    A Case Study: Céleste Boursier-Mougenot

    Samuel Bianchini and Emanuele Quinz

    Three grand pianos slowly make their way through the large exhibition space allotted to them, sometimes bumping into one another. These animate objects, which constitute offroad (2014), a work by the artist Céleste Boursier-Mougenot, appear to be living beings, each with its own behavior. They are perfect examples of behavioral objects, whose little-known history dates back to the avant-garde and the emergence of cybernetics.

    What exactly is a behavioral object? How can it be analyzed, understood, theorized, experienced, and how can we conceive of works that possess the faculty of action and reaction to their environment and public? Examining three works by Céleste Boursier-Mougenot, this book tackles these questions and defines a new field of research and practice.

    Copublished with École nationale supérieure des Arts Décoratifs – Paris PSL Research University

    Contributors Samuel Bianchini, Céleste Boursier-Mougenot, Jaime DeSimone, Jean-Paul Laumond, Florent Levillain, Emanuele Quinz, Bénédicte Ramade, Trevor Smith, Elisabetta Zibetti

    • Paperback $22.00