Wouter Davidts

  • Bik Van der Pol

    Bik Van der Pol

    Fly Me To The Moon

    Jennifer Allen, Wouter Davidts, Frans Von der Dunk, Bik Van der Pol, and Jane Rendell

    Suppose the New Rijksmuseum were in the market for a site on the moon, some time in the near or distant future. Would it be sensible, or nonsensical, for the Rijksmuseum to purchase a lunar plot where it can safely house its collection?

    Since the “discovery” of the moon, people have laid claim to it, whether symbolic or genuine. The moon has resources that could potentially be extracted using technologies yet to be developed. What is more, it may become possible for people to live on the moon someday. Pending future developments, there is a lively Internet trade in deeds to pieces of the moon, available at bargain prices. The legality of this form of private enterprise is obviously debatable, and yet...

    Bik Van der Pol took as core item of the project one of the oldest objects in the collection of the Rijksmuseum: a moon rock. The crew of the first manned lunar landing mission, Apollo 11, brought this rock back to earth in 1969. That same year the three astronauts Neil Armstrong, Edwin Aldrin, and Michael Collins visited the Netherlands. Willem Drees, a former Dutch prime minister, received the rock on that occasion as a present from the United States ambassador. And later, this piece of stone was donated to the Rijksmuseum.

    The moon rock creates links between the site of the museum, the city, the collection and its own origins. These links are examined from various perspectives. In the background are questions concerning the public and private significance of a collection, as well as questions of public interest.

    • Hardcover $32.00

Contributor

  • Support Structures

    Support Structures

    Céline Condorelli

    Support Structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world.

    Support Structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts, which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes.

    Support Structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.

    Produced in co-production with Support Structure:Celine Condorelli and Gavin Wade with James Langdonwww.supportstructures.org

    Contributors Michael Asher, Artist Placement Group, Can Altay, Conrad Atkinson, Adam Broomberg & Oliver Chanarin, Lonnie van Brummelen & Siebren de Haan, Banu Cennetoglu, Christopher D'Arcangelo, Martin Beck, Cevdet Erek, Andrea Fraser, Buckminster Fuller, Ryan Gander, Ella Gibbs, Frederick Kiesler, Lucy Kimbell, James Langdon, El Lissitzky, Peter Nadin, “The offices of Peter Fend, Coleen Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince & Robin Winters,” Gordon Matta-Clark, Antoni Muntadas, Lilly Reich, Support Structure, Rirkrit Tiravanija, Lawrence Weiner, Christopher Williams, Carey Young, a.o.

    • Paperback $45.00