Bernd and Hilla Becher have profoundly influenced the international photography world over the past several decades. Their unique genre, which falls somewhere between topological documentation and conceptual art, is in line with the aesthetics of such early-twentieth-century masters of German photography as Karl Blossfeldt, Germaine Krull, Albert Renger-Patzsch, and August Sander.
The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts—they are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor.
Nightlands is a pioneering exploration of both the forms and poetics of Nordic place. Specifically, it examines the art of building in four Nordic countries--Denmark, Norway, Sweden, and Finland--and the sometimes shared, sometimes contrasting regional experience and character expressed by each.
A. J. Downing (1815-1852) wrote the first American treatise on landscape gardening. As editor of the Horticulturist and the country's leading practitioner and author, he promoted a national style of landscape gardening that broke away from European precedents and standards. Like other writers and artists, Downing responded to the intensifying demand in the nineteenth century for a recognizably American cultural expression.
Paul Shepheard's previous book, What is Architecture?, was about making real, material things in the world -- landscapes, buildings, and machines. The Cultivated Wilderness is about those landscapes, and about the strategies that govern what we've done in shaping them.In the author's words, this book is about "seeing things that are too big to see." His emphasis on strategy makes landscape fundamental -- he says that every architectural move is set in a landscape. Norman England, for example, was constructed as a network of strong points, in a strategy of occupation.
Invisible Gardens is a composite history of the individuals and firms that defined the field of landscape architecture in America from 1925 to 1975, a period that spawned a significant body of work combining social ideas of enduring value with landscapes and gardens that forged a modern aesthetic.
These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline.During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time.
One voice imagines, the other analyzes in this elegant literary excursion through the history of garden art in France from medieval times to the present. Alternating discursive accounts, or allées, with fictional vignettes that recreate time and place, the Le Dantecs skillfully integrate the history of French gardens with the modern history of ideas. They incorporate literary criticism and art history with social and political history and raise questions about the present development of garden and landscape art.