There is a universality about the creation of gardens across time and in diverse cultures that has inspired this entirely different garden book: a playful and affectionate typology of gardens; a pattern book in which a score of landscapes and gardens are drawn, described, and analyzed not just as a bouquet of pleasures but as sources, lodes to be mined for materials, shapes and relationships, and ideas for transforming our own backyards.
Alternating discursive accounts with fictional vignettes that recreate time and place, this book skillfully integrates the history of French gardens with the modern history of ideas.Denise Le Dantec is a poet and Professor of Philosophy at the Centre National d'Enseignement à „istance, Paris. Jean-Pierre Le Dantec is a Professor in the School of Architecture at the University of Paris La-Villette.
The pristine, the ruined, the ephemeral, and even the notional are the subject of Robert Harbison's highly original and admittedly romantic contribution to the literature of architecture. His fresh perceptions open this practical art to new interpretations as he explores the means by which buildings, real or imagined, evade or surpass functional necessities while sometimes satisfying them.What fascinates Harbison in these discussions are the paradoxes and ironies of function that give rise to meaning, to a psychological impact that may or may not have been intended.
Gardens reveal the relationship between culture and nature, yet in the vast library of garden literature few books focus on what the garden means - on the ecology of garden as idea, place, and action. The Meaning of Gardens maps out how the garden is perceived, designed, used, and valued. Essays from a variety of disciplines are organized around six metaphors special to our time - the garden muses of Faith, Power, Ordering, Cultural Expression, Personal Expression, and Healing. Each muse suggests specific inspirations for garden and landscape design.
Pioneering observers of the urban landscape Bernard Frieden and Lynne Sagalyn delve into the inner workings of the exciting new public entrepreneurship and public-private partnerships that have revitalized the downtowns of such cities as Boston, San Diego, Seattle, St. Paul, and Pasadena.Both authors are in the Department of Urban Studies and Planning at MIT. Bernard J. Frieden recently completed a term as Chairman of the MIT Faculty and is Ford Professor of Urban Development. Lynne B. Sagalyn is Associate Professor of Planning and Real Estate Development.
A garden classic, The Genius of the Place reveals that the history of landscape gardening is much more than a history of design and style; it opens up a wide perspective of English cultural history, showing how landscape gardening was gradually transformed over two centuries into an art that has been widely imitated throughout Europe and North America.The English landscape garden is richly documented in this anthology.
Hilla and Bernd Becher's cool, objective photographs of industrial structures have earned them a special position in international photography. Although their work is widely collected by American dealers and institutions and shown in New York galleries, this is the first time that it has been published in book form in the United States.The Bechers' 224 photographs of watertowers comprise a unique, single minded, even obsessive mission.
In this imaginative and generously illustrated book, Tadahiko Higuchi applies a methodology to landscape that is similar to that developed by Kevin Lynch for investigating the extent to which urban settings are legible and "imageable" to their inhabitants.
In the eighteenth century Paris underwent a remarkable transformation in Western attitudes about life and death. The Architecture of Death traces this change through six pivotal decades, and analyzes the intellectual and social concerns that led to the establishment of a new kind of urban institution - the municipal cemetery. Drawing heavily on new materials and archival sources, supported by nearly 270 plans, photographs, and drawings, the book is not only a definitive work on the design of cemeteries but is also the cultural history of an age.