Chris Marker's legendary "ciné roman" ("film novel") La Jetée is considered one of the greatest and most influential experimental films of all time. This short film—a postapocalyptic story composed almost entirely of black-and-white still photographs—has been praised by cultural theorists and Netflix subscribers alike.
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen.
Milk and Melancholy looks at milk through the lens of photography and from the angle of art. Specifically, it considers the milk splash in all its manifestations, representations, and variations, tracing the complex flow of the image in works ranging from Harold Edgerton's milk drop coronet to Jeff Wall's exploding milk carton.
The small Central American country of Costa Rica—less than one-eighth the size of California—boasts the highest density of plant and animal species in the world. Its wild and rugged landscapes include dense rainforests where jaguars roam, a volcano that spews rivers of molten lava, and beaches as unspoiled as they were when Christopher Columbus first anchored his ships off the Caribbean coast in 1502.
"This book version of La Jetée is, to my mind, astonishingly beautiful. It brings a total freshness to the work and a new way to use photos to deal with dramatic events. Not a film's book, but a book in its own right—the real ciné-roman announced in the film's credits."
In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz—as influential gallery owner, photographer, and impresario of the emerging art scene—at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view.
This abundantly illustrated look at orangutan life tells the story of one of the most fascinating members of the great ape family. In Orangutans, conservation biologist Junaidi Payne presents an informative and compelling description of the lives of orangutans, from their habitat and behavior to the complex intricacies of orangutan society, with discussions of such topics as the differences between wild and captive creatures and characteristics of age and sex.
Today's dominant fast-food franchises spend millions to persuade us that they do it all for us, that we can have it our way. White Tower, the pioneering hamburger chain founded in 1926, never felt the need for this kind of advertising; it depended on its instantly recognizable building to say it all.
The photographs in Zoe Leonard’s Analogue trace the “layered, frayed, and quirky” beauty of a fading way of life. Zoe Leonard documents the vanishing face and texture of twentieth century urban life, as seen in the shop windows of mom-and-pop stores. Lacking the glamour of the shopping mall and the digitally manipulated perfection of mail order catalogs, these fading objects tenaciously hold on to their disappearing place on city streets.
Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetée (1962)—a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006.