Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative.
I read and wrote to invoke what seemed impossible—relation itself—in order to take part in a world that ceaselessly makes itself up, to “wake up” to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing.—from Uncertain Reading
Originally published in 1997, Resentment was the first in Gary Indiana’s now-classic trilogy (followed in 1999 by Three Month Fever: The Andrew Cunanan Story and in 2003 by Depraved Indifference) chronicling the more-or-less permanent state of “depraved indifference” that characterized American life at the millennium’s end.
The Well-Dressed Wound is Derek McCormack’s play script “séance”: a fashion show by the dead for the living. In the depths of the Civil War, in a theater in P. T. Barnum’s American Museum on Broadway, Abraham and Mary Todd Lincoln participate in a staged spiritualistic rite. But the medium conducting them has invited along another being: the Devil, disguised as twentieth-century French fashionista Martin Margiela (aka “King Faggot”).
Long before the invention of musical notation, and long before that of the phonograph, the written word was unrivaled as a medium of the human voice. In The Ancient Phonograph, Shane Butler searches for traces of voices before Edison, reconstructing a series of ancient soundscapes from Aristotle to Augustine. Here the real voices of tragic actors, ambitious orators, and singing emperors blend with the imagined voices of lovesick nymphs, tormented heroes, and angry gods.
When Alfred Jarry died in 1907 at the age of thirty-four, he was a legendary figure in Paris—but this had more to do with his bohemian lifestyle and scandalous behavior than his literary achievements. A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde.
A moving meld of essay, memoir, and story, When the Sick Rule the World collects Dodie Bellamy’s new and recent lyric prose. Taking on topics as eclectic as vomit, Kathy Acker’s wardrobe, and Occupy Oakland, Bellamy here examines illness, health, and the body—both the social body and the individual body—in essays that glitter with wit even at their darkest moments.
Between Humanities and the Digital offers an expansive vision of how the humanities engage with digital and information technology, providing a range of perspectives on a quickly evolving, contested, and exciting field. It documents the multiplicity of ways that humanities scholars have turned increasingly to digital and information technology as both a scholarly tool and a cultural object in need of analysis.
By the time Umberto Eco published his best-selling novel The Name of the Rose, he was one of Italy’s most celebrated intellectuals, a distinguished academic and the author of influential works on semiotics. Some years before that, in 1977, Eco published a little book for his students, How to Write a Thesis, in which he offered useful advice on all the steps involved in researching and writing a thesis—from choosing a topic to organizing a work schedule to writing the final draft.