It might surprise Western scientists to learn that there were periods in Korean history when the level of scientific achievement was the highest in Asia. This is the proposition that Dr. Sang-woon Jeon sets forth in the first comprehensive and systematic survey of Korean science to appear in any Western language. Dr. Jeon points up Korea's unique contributions to the history of science and technology as well as the country's role as a bridge between Japanese and Chinese science and civilization. Much of his discussion of Korean science focuses on instruments which he describes in great detail in chapters on astronomy, metereology, physics and physical technology, and geography and cartography.
Faced with the considerable difficulty of writing a history based on inadequate written records, Dr. Jeon has made use of available artifacts and other materials which have received little attention either in East Asia or the West. He has also summarized historical research in Korean science to the present and compiled an extensive bibliography.
Gary Hatfield examines theories of spatial perception from the seventeenth to the nineteenth century and provides a detailed analysis of the works of Kant and Helmholtz, who adopted opposing stances on whether central questions about spatial perception were amenable to natural-scientific treatment. At stake were the proper understanding of the relationships among sensation, perception, and experience, and the proper methodological framework for investigating the mental activities of judgment, understanding, and reason issues which remain at the core of philosophical psychology and cognitive science.
Hatfield presents these important issues as living philosophies of science that shape and are shaped by actual research programs, creating a complex and fascinating picture of the entire nineteenth-century battle between nativism and empiricism. His examination of Helmholtz's work in physiological optics and epistemology is a tour de force.
Gary Hatfield is Associate Professor of Philosophy at the University of Pennsylvania.
In the late 1990s, the formerly staid and monopolistic electric utility industry entered an era of freewheeling competition and deregulation, allowing American consumers to buy electricity from any company offering it. In this book, Richard F. Hirsh explains how and why this radical restructuring has occurred.Hirsh starts by describing the successful campaign waged by utility managers in the first decade of the twentieth century to protect their industry from competition. The regulated system that emerged had the unanticipated consequence of endowing utility managers with great political and economic power. Seven decades later, a series of largely unanticipated events, including technological stagnation in traditional generating equipment, the 1973 energy crisis, and the rise of the environmental movement, undermined the managers' control of the system. New players, such as academics, environmental advocates, politicians, and potential competitors, wrested control from power company managers by challenging utilities' standing as "natural monopolies" and by questioning whether their firms provided universal benefits. In other words, the once-closed system came under increasing pressure to transform itself.Hirsh follows the flow of power as this transformation occurred. He also examines the relationship between technological change and regulation, showing how innovations such as cogeneration and renewable energy technologies stimulated questions about the value of government oversight of the system. And he shows how the increasing prominence of ideas such as conservation, energy efficiency, and free markets helped propel the system toward open competition.Though the new electric utility system is still in its infancy, Hirsh's perceptive account of its birth will help readers think more rationally about its future.
In 1848 a railway construction worker named Phineas Gage suffered an accident that made him a major curiosity of medicine and a significant figure in psychology and neuroscience: an explosion caused a tamping iron to be blown completely through his head, destroying the left frontal lobe of his brain. Gage survived the accident and remained in reasonable physical health for another eleven years. But his behavior changed markedly after the injury, and his case is considered to be the first to reveal the relation between the brain and complex personality characteristics. Yet almost nothing is known about him, and most of what is written is seriously in error.
In this book Malcolm Macmillan, a leading authority on Gage, covers all aspects of this fascinating story. He describes Gage's family and personal background, the context of his work and the accident, and Gage's subsequent history. He analyzes contemporary medical and newspaper reports of the accident and its consequences, and evaluates the treatment Gage received from Dr. John Martyn Harlow. He also looks at Harlow's own life and work. Macmillan examines Gage's place in the history of how functions came to be localized in the brain. He explores the many ways that Gage's tale has been represented and misrepresented through the years in popular, fictional, and scientific works. One of Macmillan's primary aims is to rescue the case from the predominantly fantastic accounts so that its real contribution to modern neuroscience can be understood. Partly for this reason, the appendices include facsimiles of Harlow's 1848 and 1868 reports, the primary sources about Gage, and previously unpublished CT scans of Gage's skull made in 1982.
Technology is business, and dealing with the media, the public, financiers, and government agencies can be as important to an invention's success as effective product development. To understand how rhetoric works in technology, one cannot do better than to start with the American inventor Thomas Alva Edison and the incandescent light bulb.
Charles Bazerman tells the story of the emergence of electric light as one of symbols and communication. He examines how Edison and his colleagues represented light and power to themselves and to others as the technology was transformed from an idea to a daily fact of life. He looks at the rhetoric used to create meaning and value for the emergent technology in the laboratory, in patent offices and courts, in financial markets, and in boardrooms, city halls, newspapers, and the consumer marketplace. Along the way he describes the social and communicative arrangements that shaped and transformed the world in which Edison acted. He portrays Edison, both the individual and the corporation, as a self-conscious social actor whose rhetorical groundwork was crucial to the technology's material realization and success.
Wonders and the Order of Nature is about the ways in which European naturalists from the High Middle Ages through the Enlightenment used wonder and wonders, the passion and its objects, to envision themselves and the natural world. Monsters, gems that shone in the dark, petrifying springs, celestial apparitions—these were the marvels that adorned romances, puzzled philosophers, lured collectors, and frightened the devout. Drawing on the histories of art, science, philosophy, and literature, Lorraine Daston and Katharine Park explore and explain how wonder and wonders fortified princely power, rewove the texture of scientific experience, and shaped the sensibility of intellectuals. This is a history of the passions of inquiry, of how wonder sometimes inflamed, sometimes dampened curiosity about nature's best-kept secrets. Refracted through the prism of wonders, the order of nature splinters into a spectrum of orders, a tour of possible worlds.
Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century.
Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle.
Crary approaches these issues through multiple analyses of single works by three key modernist painters—Manet, Seurat, and Cézanne—who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices.
Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
Women Becoming Mathematicians looks at the lives and careers of thirty-six of the approximately two hundred women who earned Ph.D.s in mathematics from American institutions from 1940 to 1959. During this period, American mathematical research enjoyed an unprecedented expansion, fueled by the technological successes of World War II and the postwar boom in federal funding for education in the basic sciences. Yet women's share of doctorates earned in mathematics in the United States reached an all-time low. This book explores the complex interplay between the personal and professional lives of those women who embarked on mathematical careers during this period, with a view to understanding how changes in American society during the 1950s, 1960s, and 1970s affected their career development and identities as mathematicians.
The book is based on extensive interviews with thirty-six women mathematicians of the postwar generation, as well as primary and secondary historical and sociological research. Taking a life-course approach, the book examines the development of mathematical identity across the life span, from childhood through adulthood and into retirement. It focuses on the process by which women who are actively involved in the mathematical community come to "know themselves" as mathematicians. The women's stories are instructive precisely because they do not conform to a set pattern; compelled to improvise, the women mathematicians of the 1940s and 1950s followed diverse paths in their struggle to construct a professional identity in postwar America.
This collection explores how technologies become forms of power, how people embed their authority in technological systems, and how the machines and the knowledge that make up technical systems strengthen or reshape social, political, and cultural power. The authors suggest ways in which a more nuanced investigation of technology's complex history can enrich our understanding of the changing meanings of modernity. They consider the relationship among the state, expertise, and authority; the construction of national identity; changes in the structure and distribution of labor; political ideology and industrial development; and political practices during the Cold War. The essays show how insight into the technological aspects of such broad processes can help synthesize material and cultural methods of inquiry and how reframing technology's past in broader historical terms can suggest new directions for science and technology studies.
The essays were written in honor of Thomas Parke Hughes and Agatha Chipley Hughes, whose spirit of inquiry they seek to continue.
Contributors: Janet Abbate, Michael Thad Allen, W. Bernard Carlson, Gabrielle Hecht, Erik P. Rau, Eric Schatzberg, Amy Slaton, John Staudenmaier, Edmund N. Todd, Hans Weinberger.
In Meaning in Technology, Arnold Pacey explores how an individual's sense of purpose and meaning in life can affect the shape and use of technology. He argues against reductionism in interpreting technology in a human context, and for acknowledgment of the role of the human experience of purpose when it helps to express meaning in technology.
In the first part of the book, Pacey analyzes the direct experience of technology by individuals—engineers, mathematicians, craft workers, and consumers. In the second part, he examines the contexts in which technology is used, relating technology to nature and society. He explores our sense of place and of our relationship with nature, environmental concerns, gender, and creativity. He concludes with a discussion of the possibilities of a more people-centered technology.