The humanities can add valuable insights to the study of memory. This BIT draws on recent neuroscientific research to explore one of the great masterpieces of fifteenth-century Flemish painting, Rogier van der Weyden’s Descent from the Cross. It connects memory to the direct and indirect bodily responses to a work of art.
Imagine the astonishment felt by neuroscientist Rodrigo Quian Quiroga when he found a fantastically precise interpretation of his research findings in a story written by the great Argentinian fabulist Jorge Luis Borges fifty years earlier. In this BIT, Quian Quiroga explores real-life cases that recall Borges’s fictional “Funes the Memorious,” investigating a man who couldn’t forget, and another who could not form new memories.
The authors of Individual and Collective Memory Consolidation propose that that individuals and collectives form memories by analogous processes. This BIT examines the collective retrograde amnesia in mainland Chinese populations that experienced the Cultural Revolution and discusses the persistence of consolidated collective memory despite traumatic disruption.