The Grid Book
Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.
About the Author
Hannah B Higgins is Associate Professor in the Department of Art History at the University of Illinois at Chicago. She is the author of Fluxus Experience.
“[I]t is...an informative and sometimes provocative meditation on the place of geometry in human life.”—Bryan Hayes, American Scientist
“Here is a natural storyteller, with scholarly depth, apparently motivated by delight. Where another information historian might have breezily justified your cultural comfort with the net, or else made a jargon-laden assault against it, Hannah Higgins has found the right pitch. Whatever grids you are on, this brightly edited book might help you know them better or see them differently.”
—Malcolm McCullough, author of Abstracting Craft
“Hannah Higgins' new book on grids is a confident synthesis of art, architecture, geography, geometry, urbanism, and social history. Its elegant prose and easy erudition recall the work of Lewis Mumford; its intellectual energy and subtle humor, the writing of Roland Barthes.”
—Stephen F. Eisenman, Professor of Art History, Northwestern University