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Hardcover | Out of Print | ISBN: 9780262042161 | 520 pp. | 8 x 9 in | 214 illus., 53 in color| November 2003
Paperback | Out of Print | ISBN: 9780262541893 | 520 pp. | 8 x 9 in | 214 illus., 53 in color| February 2006

Impossible Histories

Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918–1991


Impossible Histories is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk.The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections: Art and Politics; Literature; Visual Art and Architecture; and Art in Motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.

About the Editors

Dubravka Djuric is a poet and editor.

Misko Suvakovic is Professor of Aesthetics and Theory of Arts at Belgrade University.


“"A real explosion of artistic and intellectual energy took place in Ljubljana during the 1980s, the impact of which reverberated throughout the global cultural landscape. Alexei Monroe not only describes this explosion but transmits its energy to the reader."--Boris Groys, Professor of Philosophy and Art Theory, Academy of Design, Karlsruhe”
“In the endlessly war-torn and conflicted Yugoslav cultures of the twentieth century, the avant-garde was not just a museum luxury; it was always relentlessly political, activist, and truly transformative. this fascinating and meticulously assembled collection of essays by leading artists and scholars traces the daring and imaginative cultural production of yugoslavia from the fall of the Austrian-Hungarian Empire in cultural production of Yugoslavia itself in 1991. As such, this major publication opens our eyes to a whole new dimension of avant-garde practice. Impossible Histories will be read and discussed for years to come.”
Marjorie Perloff, Sadie D. Patek Professor Emerita of Humanities, Standard University, author of The Futurist Moment and Radical Artifice
Impossible Histories is not only the most penetrating history of modern culture in the former Yugoslavia yet to appear; it is a model study of the creativity and complexity of modernism generally. By offering critical perspectives not only on painting and sculpture, but also on music, dance, film, theater, architecture, literature, and photography, Impossible Histories reveals the complicity of all the creative and performing arts in first begetting, then exploiting, and finally overcoming avant-garde culture.”
Steven Mansbach, Professor of the History of Modern Art, University of Maryland, author of Modern Art in Eastern europe: From the Baltic to the Balkans, ca. 1890-1939
“To participate in the international avant-garde movements was for many intellectuals and artists of Eastern Europe the only way to keep independence and critical distance from the violent ethnic, religious and ideological conflicts that dominated this region during the twentieth century. By documenting the political relevance and tragic fate of the artistic avant-gardes on the territories of former Yugoslavia, Impossible Histories reveals the inner dynamics and true spirit of the avant-garde–as distinct from its later commodification by the Western culture industry.”
Boris Groys, Professor of Philosophy and Media Theory, Center for Arts and Media Technology Karlsruhe and author of The Total Art of Stalinism: Russian Avant-Garde Aesthetic Dictatorship and Beyond
“"*Impossible Histories* is a nearly encyclopedic work and a revelation to the outside world of the fruitful impact of experimental modernism on artists and poets in what we now think of as 'the former Yugoslavia.' In this assemblage of essays and photographs by many hands, Dubravka Djuric and Misko Suvakovic bring to light a hidden center of the avant-garde and by so doing help complete the picture of the great experimental project of the just concluded century."--Jerome Rothenberg, Poet, University of California, San DiegoPlease note: Diacritical marks: "Djuric" should have an acute accent over the "c"; "Misko Suvakovic" should have haceks over both "s"s and an accute accent over the "c". Thanks!”
“"Rosler's writings of the past three decades have acquired an unsought monumental status: they remind us of what it means to conceive of the artist as a public intellectual, as an activist, and as a critical voice in the cultural public sphere. They thus serve as emergency instructions: how activist practice could be resuscitated now, when it is needed most -- in the darkest moment of the near disappearance of public political consciousness."--Benjamin H. D. Buchloh, Virginia B. Wright Professor of Modern and Contemporary Art History at Barnard College, Columbia University”