Memory in Art
The humanities can add valuable insights to the study of memory. This BIT draws on recent neuroscientific research to explore one of the great masterpieces of fifteenth-century Flemish painting, Rogier van der Weyden’s Descent from the Cross. It connects memory to the direct and indirect bodily responses to a work of art.
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About the Editors
Suzanne Nalbantian is Professor of Comparative Literature at Long Island University and the author of Memory in Literature: From Rousseau to Neuroscience, Aesthetic Autobiography, and other books.
Paul M. Matthews is Vice President at GlaxoSmithKline in London, Professor of Clinical Neurosciences at Imperial College, London, and the coauthor of The Bard on the Brain: Understanding the Mind through the Art of Shakespeare.
James L. McClelland is Professor of Psychology and Director of the Center for Mind, Brain, and Computation at Stanford University. He is the coauthor of Parallel Distributed Processing (1986) and Semantic Cognition (2004), both published by the MIT Press. With David E. Rumelhart, he was awarded the 2002 University of Louisville Grawemeyer Award for Psychology for his work in the field of cognitive neuroscience on a cognitive framework called parallel distributed processing and the concept of connectionism.