What began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. In this BIT, Hector Postigo examines the evolution of the Digital Millennium Copyright Act, showing that citizens’ concerns were largely ignored in the policy process.
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About the Author
Hector Postigo is Associate Professor in the Department of Broadcasting, Telecommunications, and Mass Media in the School of Communications and Theater at Temple University.