Leonardo

Leonardo, the International Society for the Arts, Sciences, and Technology, and the affiliated French organization Association Leonardo have some very simple goals: To document and make known the work of artists, researchers, and scholars interested in the ways that the contemporary arts interact with science and technology ; To create a forum and meeting places where artists, scientists, and engineers can meet, exchange ideas, and, where appropriate, collaborate; To contribute, through the interaction of the arts and sciences, to the creation of the new culture that will be needed to transition to a sustainable planetary society. New generations of artist-researchers and researcher-artists are now at work individually and in collaborative teams bridging the art, science, and technology disciplines. For some of the hard problems in our society, we have no choice but to find new ways to couple the arts and sciences. Perhaps in our lifetime we will see the emergence of “new Leonardos,” creative individuals or teams that will not only develop a meaningful art for our times but also drive new agendas in science and stimulate technological innovation that addresses today’s human needs.

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Tactical Publishing

Using Senses, Software, and Archives in the 21st Century

by Alessandro Ludovico

Preface by Nick Montfort

ISBN: 9780262542050

Publisher: The MIT Press

Pub Date: October 3, 2023

How to level up to the next transformative phase of publishing—with a critical methodology that transcends the dichotomy of paper and digital media production.

Voidopolis

by Kat Mustatea

Afterword by Charlotte Kent and Arielle Saiber

ISBN: 9780262048262

Publisher: The MIT Press

Pub Date: August 22, 2023

Forthcoming from the MIT Press

Picture Research

The Work of Intermediation from Pre-Photography to Post-Digitization

by Nina Lager Vestberg

ISBN: 9780262045315

Publisher: The MIT Press

Pub Date: June 6, 2023

An intimate foray into the invisible work that made it possible for pictures to circulate in print and online from the 1830s to the 2010s.

Art + DIY Electronics

by Garnet Hertz

ISBN: 9780262044936

Publisher: The MIT Press

Pub Date: May 30, 2023

A systematic theory of DIY electronic culture, drawn from a century of artists who have independently built creative technologies.

Computational Formalism

Art History and Machine Learning

by Amanda Wasielewski

ISBN: 9780262545648

Publisher: The MIT Press

Pub Date: May 23, 2023

How the use of machine learning to analyze art images has revived formalism in art history, presenting a golden opportunity for art historians and computer scientists to learn from one another.

Christa Sommerer & Laurent Mignonneau

The Artwork as a Living System 1992–2022

Edited by Karin Ohlenschläger, Peter Weibel and Alfred Weidinger

ISBN: 9780262048156

Publisher: The MIT Press

Pub Date: February 7, 2023

“More than a cabinet of curiosities, more than a terrarium, more than an aquarium”: a captivating look at thirty years of artistic work by the Austrian-French artist duo Christa Sommerer and Laurent Mignonneau.

Re-collection

Art, New Media, and Social Memory

by Richard Rinehart and Jon Ippolito

ISBN: 9780262546683

Publisher: The MIT Press

Pub Date: November 1, 2022

The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory.

New Tendencies

Art at the Threshold of the Information Revolution (1961–1978)

by Armin Medosch

ISBN: 9780262546638

Publisher: The MIT Press

Pub Date: November 1, 2022

An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.

Design in Motion

Film Experiments at the Bauhaus

by Laura A. Frahm

ISBN: 9780262045186

Publisher: The MIT Press

Pub Date: July 19, 2022

The first comprehensive history in English of film at the Bauhaus, exploring practices that experimented with film as an adaptable, elastic “polymedium.”

Northern Sparks

Innovation, Technology Policy, and the Arts in Canada from Expo 67 to the Internet Age

by Michael Century

ISBN: 9780262045001

Publisher: The MIT Press

Pub Date: June 28, 2022

An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together.

Art in the Age of Machine Learning

by Sofian Audry

Foreword by Yoshua Bengio

ISBN: 9780262046183

Publisher: The MIT Press

Pub Date: November 23, 2021

An examination of machine learning art and its practice in new media art and music.

Living Books

Experiments in the Posthumanities

by Janneke Adema

ISBN: 9780262046022

Publisher: The MIT Press

Pub Date: August 31, 2021

Reimagining the scholarly book as living and collaborative—not as commodified and essentialized, but in all its dynamic materiality.

A Biography of the Pixel

by Alvy Ray Smith

ISBN: 9780262542456

Publisher: The MIT Press

Pub Date: August 3, 2021

The pixel as the organizing principle of all pictures, from cave paintings to Toy Story.

Giving Bodies Back to Data

Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology

by Silvia Casini

ISBN: 9780262045292

Publisher: The MIT Press

Pub Date: August 3, 2021

An examination of the bodily, situated aspects of data-visualization work, looking at visualization practices around the development of MRI technology.

Tactics of Interfacing

Encoding Affect in Art and Technology

by Ksenia Fedorova

ISBN: 9780262044158

Publisher: The MIT Press

Pub Date: August 11, 2020

How digital technologies affect the way we conceive of the self and its relation to the world, considered through the lens of media art practices.

MATERIAL WITNESS

Media, Forensics, Evidence

by Susan Schuppli

ISBN: 9780262043571

Publisher: The MIT Press

Pub Date: February 25, 2020

The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere.

From Fingers to Digits

An Artificial Aesthetic

by Margaret A. Boden and Ernest A. Edmonds

ISBN: 9780262039628

Publisher: The MIT Press

Pub Date: July 16, 2019

Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.

Making Sense

Cognition, Computing, Art, and Embodiment

by Simon Penny

ISBN: 9780262538237

Publisher: The MIT Press

Pub Date: July 9, 2019

Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing.

Virtual Menageries

Animals as Mediators in Network Cultures

by Jody Berland

ISBN: 9780262039604

Publisher: The MIT Press

Pub Date: April 16, 2019

The close interdependency of animal emissaries and new media from early European colonial encounters with the exotic to today's proliferation of animals in digital networks.

Laboratory Lifestyles

The Construction of Scientific Fictions

Edited by Sandra Kaji-O'Grady, Chris L. Smith and Russell Hughes

ISBN: 9780262038928

Publisher: The MIT Press

Pub Date: February 5, 2019

A generously illustrated examination of the boom in luxurious, resort-style scientific laboratories and how this affects scientists' work.

Invisible Colors

The Arts of the Atomic Age

by Gabrielle Decamous

ISBN: 9780262038546

Publisher: The MIT Press

Pub Date: February 5, 2019

How art makes visible what had been invisible—the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age.

Weather as Medium

Toward a Meteorological Art

by Janine Randerson

ISBN: 9780262038270

Publisher: The MIT Press

Pub Date: October 30, 2018

An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.

The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition

The Fourth Dimension and Non-Euclidean Geometry in Modern Art

by Linda Dalrymple Henderson

ISBN: 9780262536554

Publisher: The MIT Press

Pub Date: May 18, 2018

The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art.

Fred Forest's Utopia

Media Art and Activism

by Michael F. Leruth

ISBN: 9780262036498

Publisher: The MIT Press

Pub Date: September 8, 2017

“France's most famous unknown artist,” the innovative media provocateur Fred Forest, precursor of Eduardo Kac, Jodi, the Yes Men, RT Mark, and the Guerilla Girls.

Ecstatic Worlds

Media, Utopias, Ecologies

by Janine Marchessault

ISBN: 9780262036467

Publisher: The MIT Press

Pub Date: August 25, 2017

When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope.

Voicetracks

Attuning to Voice in Media and the Arts

by Norie Neumark

ISBN: 9780262036139

Publisher: The MIT Press

Pub Date: May 19, 2017

The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts.

Here/There

Telepresence, Touch, and Art at the Interface

by Kris Paulsen

ISBN: 9780262035729

Publisher: The MIT Press

Pub Date: February 24, 2017

An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works.

Machine Art in the Twentieth Century

by Andreas Broeckmann

ISBN: 9780262537452

Publisher: The MIT Press

Pub Date: December 23, 2016

An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods.

Practicable

From Participation to Interaction in Contemporary Art

Edited by Samuel Bianchini and Erik Verhagen

ISBN: 9780262034753

Publisher: The MIT Press

Pub Date: October 28, 2016

Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.

Social Media Archeology and Poetics

Edited by Judy Malloy

ISBN: 9780262034654

Publisher: The MIT Press

Pub Date: August 19, 2016

First person accounts by pioneers in the field, classic essays, and new scholarship document the collaborative and creative practices of early social media.

Screen Ecologies

Art, Media, and the Environment in the Asia-Pacific Region

by Larissa Hjorth, Sarah Pink, Kristen Sharp and Linda Williams

ISBN: 9780262034562

Publisher: The MIT Press

Pub Date: May 13, 2016

How new media and visual artists provide alternative ways for understanding and visualizing the entanglements of media and the environment in the Asia-Pacific.

Pirate Philosophy

For a Digital Posthumanities

by Gary Hall

ISBN: 9780262034401

Publisher: The MIT Press

Pub Date: April 15, 2016

How philosophers and theorists can find new models for the creation, publication, and dissemination of knowledge, challenging the received ideas of originality, authorship, and the book.

Walking and Mapping

Artists as Cartographers

by Karen O'Rourke

ISBN: 9780262528955

Publisher: The MIT Press

Pub Date: February 12, 2016

An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.

Hanan al-Cinema

Affections for the Moving Image

by Laura U. Marks

ISBN: 9780262029308

Publisher: The MIT Press

Pub Date: September 18, 2015

An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times.

Writing and Unwriting (Media) Art History

Erkki Kurenniemi in 2048

Edited by Joasia Krysa and Jussi Parikka

Foreword by Erkki Huhtamo

ISBN: 9780262029582

Publisher: The MIT Press

Pub Date: September 11, 2015

A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi—composer of electronic music, experimental filmmaker, inventor, collector, futurologist.

Control

Digitality as Cultural Logic

by Seb Franklin

ISBN: 9780262029537

Publisher: The MIT Press

Pub Date: September 4, 2015

An examination of digitality not simply as a technical substrate but also as the logical basis for reshaped concepts of labor, subjectivity, and collectivity.

Rethinking Curating

Art after New Media

by Beryl Graham and Sarah Cook

Foreword by Steve Dietz

ISBN: 9780262528429

Publisher: The MIT Press

Pub Date: August 21, 2015

Redefining curatorial practice for those working with new kinds of art.

The Experience Machine

Stan VanDerBeek's Movie-Drome and Expanded Cinema

by Gloria Sutton

ISBN: 9780262028493

Publisher: The MIT Press

Pub Date: February 13, 2015

An argument that the collaborative multimedia projects produced by Stan VanDerBeek in the 1960s and 1970s anticipate contemporary new media and participatory art practices.

Digital Performance

A History of New Media in Theater, Dance, Performance Art, and Installation

by Steve Dixon

ISBN: 9780262527521

Publisher: The MIT Press

Pub Date: January 30, 2015

The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.

The Tone of Our Times

Sound, Sense, Economy, and Ecology

by Frances Dyson

ISBN: 9780262028080

Publisher: The MIT Press

Pub Date: September 26, 2014

Sound, tone, music, voice, and noise as forms of sonority through which our current economic and ecological crises can be understood.

The Practice of Light

A Genealogy of Visual Technologies from Prints to Pixels

by Sean Cubitt

ISBN: 9780262027656

Publisher: The MIT Press

Pub Date: September 5, 2014

An account of Western visual technologies since the Renaissance traces a history of the increasing control of light's intrinsic excess.

Biopolitical Screens

Image, Power, and the Neoliberal Brain

by Pasi Väliaho

ISBN: 9780262027472

Publisher: The MIT Press

Pub Date: July 18, 2014

An investigation of the aesthetics and politics of new visual media under twenty-first-century capitalism, from console games to virtual reality to video installation art.

Relive

Media Art Histories

Edited by Sean Cubitt and Paul Thomas

ISBN: 9780262019422

Publisher: The MIT Press

Pub Date: November 8, 2013

Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future.

Illusions in Motion

Media Archaeology of the Moving Panorama and Related Spectacles

by Erkki Huhtamo

ISBN: 9780262018517

Publisher: The MIT Press

Pub Date: February 22, 2013

Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making.

Green Light

Toward an Art of Evolution

by George Gessert

ISBN: 9780262517300

Publisher: The MIT Press

Pub Date: February 10, 2012

How humans' aesthetic perceptions have shaped other life forms, from racehorses to ornamental plants.

Synthetics

Aspects of Art and Technology in Australia, 1956-1975

by Stephen Jones

ISBN: 9780262014960

Publisher: The MIT Press

Pub Date: February 25, 2011

A critical and comprehensive account of the emergence of electronic arts in Australia.

VOICE

Vocal Aesthetics in Digital Arts and Media

Edited by Norie Neumark, Ross Gibson and Theo van Leeuwen

ISBN: 9780262013901

Publisher: The MIT Press

Pub Date: August 20, 2010

Perspectives on the voice and technology, from discussions of voice mail and podcasts to reflections on dance and sound poetry.

Tactical Biopolitics

Art, Activism, and Technoscience

Edited by Beatriz da Costa and Kavita Philip

Foreword by Joseph Dumit

Introduction by Beatriz da Costa and Kavita Philip

ISBN: 9780262514910

Publisher: The MIT Press

Pub Date: August 13, 2010

Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences.

Video

The Reflexive Medium

by Yvonne Spielmann

ISBN: 9780262515177

Publisher: The MIT Press

Pub Date: August 13, 2010

An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others.

MediaArtHistories

Edited by Oliver Grau

ISBN: 9780262514989

Publisher: The MIT Press

Pub Date: August 13, 2010

Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice.

Enfoldment and Infinity

An Islamic Genealogy of New Media Art

by Laura U. Marks

ISBN: 9780262537360

Publisher: The MIT Press

Pub Date: August 13, 2010

Tracing the connections—both visual and philosophical—between new media art and classical Islamic art.

The Hidden Sense

Synesthesia in Art and Science

by Cretien van Campen

ISBN: 9780262514071

Publisher: The MIT Press

Pub Date: February 26, 2010

The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature.

Signs of Life

Bio Art and Beyond

Edited by Eduardo Kac

ISBN: 9780262513210

Publisher: The MIT Press

Pub Date: September 18, 2009

The theory and practice of bio art, a new art form that uses the materials and processes of biotechnology, with examples of work by such prominent artists as Eduardo Kac and Marc Quinn.

META/DATA

A Digital Poetics

by Mark Amerika

ISBN: 9780262513142

Publisher: The MIT Press

Pub Date: September 18, 2009

Blending artist theory, personal memoir, satire, and fictional narratives, a noted net artist constructs a poetics of net art that parallels his practice.

New Media Poetics

Contexts, Technotexts, and Theories

Edited by Adalaide Morris and Thomas Swiss

ISBN: 9780262513388

Publisher: The MIT Press

Pub Date: September 18, 2009

The first collection of writings on poetry that is composed, disseminated, and read on computers; essays and artist statements explore visually arresting, aurally charged, and dynamic works that are created by a synergy of human beings and intelligent machines.

White Heat Cold Logic

British Computer Art 1960–1980

Edited by Paul Brown, Charlie Gere, Nicholas Lambert and Catherine Mason

ISBN: 9780262026536

Publisher: The MIT Press

Pub Date: January 16, 2009

The history of a pioneering era in computer-based art too often neglected by postwar art histories and institutions.

Aesthetic Computing

Edited by Paul A. Fishwick

ISBN: 9780262562379

Publisher: The MIT Press

Pub Date: August 29, 2008

In Aesthetic Computing, key scholars and practitioners from art, design, computer science, and mathematics lay the foundations for a discipline that applies the theory and practice of art...

Software Studies

A Lexicon

Edited by Matthew Fuller

ISBN: 9780262062749

Publisher: The MIT Press

Pub Date: April 18, 2008

A cultural field guide to software: artists, computer scientists, designers, cultural theorists, programmers, and others define a new field of study and practice.

Closer

Performance, Technologies, Phenomenology

by Susan Kozel

With Adam Eeuwens

ISBN: 9780262113106

Publisher: The MIT Press

Pub Date: April 4, 2008

As our computers become closer to our bodies, perspectives from phenomenology and dance can help us understand the wider social uses of digital technologies and design future technologies that expand our social, physical, and emotional exchanges.

Media Ecologies

Materialist Energies in Art and Technoculture

by Matthew Fuller

ISBN: 9780262562263

Publisher: The MIT Press

Pub Date: February 23, 2007

A "dirty materialist" ride through the media cultures of pirate radio, photography, the Internet, media art, cultural evolution, and surveillance.

From Technological to Virtual Art

by Frank Popper

ISBN: 9780262162302

Publisher: The MIT Press

Pub Date: December 22, 2006

An influential and respected historian of art and technology analyzes the development of immersive, interactive new media art; includes detailed looks at the work of such artists as Nam June Paik, John Maeda, and Jenny Holzer.

CODE

Collaborative Ownership and the Digital Economy

Edited by Rishab Ghosh

ISBN: 9780262572361

Publisher: The MIT Press

Pub Date: September 8, 2006

How "open source" creative collaboration provides an alternative to commercially driven policies determining intellectual property rights.

The Global Genome

Biotechnology, Politics, and Culture

by Eugene Thacker

ISBN: 9780262701167

Publisher: The MIT Press

Pub Date: September 8, 2006

How global biotechnology is redefining "life itself."

At a Distance

Precursors to Art and Activism on the Internet

Edited by Annmarie Chandler and Norie Neumark

ISBN: 9780262532853

Publisher: The MIT Press

Pub Date: September 8, 2006

The theory and practice of networked art and activism, including mail art, sound art, telematic art, fax art, Fluxus, and assemblings.

The Visual Mind II

Edited by Michele Emmer

ISBN: 9780262550635

Publisher: The MIT Press

Pub Date: September 8, 2006

Essays on mathematics and art as visual expression.

New Media Poetics

Contexts, Technotexts, and Theories

Edited by Thomas Swiss and Adalaide Morris

ISBN: 9780262134637

Publisher: The MIT Press

Pub Date: June 23, 2006

Protocol

How Control Exists after Decentralization

by Alexander R. Galloway

ISBN: 9780262572330

Publisher: The MIT Press

Pub Date: February 17, 2006

How Control Exists after Decentralization

Windows and Mirrors

Interaction Design, Digital Art, and the Myth of Transparency

by Jay David Bolter and Diane Gromala

ISBN: 9780262524490

Publisher: The MIT Press

Pub Date: September 23, 2005

The experience of digital art and how it is relevant to information technology.

Virtual Art

From Illusion to Immersion

by Oliver Grau

ISBN: 9780262572231

Publisher: The MIT Press

Pub Date: September 17, 2004

An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.

Uncanny Networks

Dialogues with the Virtual Intelligentsia

by Geert Lovink

ISBN: 9780262621878

Publisher: The MIT Press

Pub Date: February 27, 2004

Geert Lovink interviews an international group of artists, critics, and theorists on aesthetic, cultural, and political aspects of new media.

Women, Art, and Technology

Edited by Judy Malloy

ISBN: 9780262538350

Publisher: The MIT Press

Pub Date: October 10, 2003

A sourcebook of documentation on women artists at the forefront of work at the intersection of art and technology.

Information Arts

Intersections of Art, Science, and Technology

by Stephen Wilson

ISBN: 9780262731584

Publisher: The MIT Press

Pub Date: February 28, 2003

An introduction to the work and ideas of artists who use—and even influence—science and technology.

The Language of New Media

by Lev Manovich

ISBN: 9780262632553

Publisher: The MIT Press

Pub Date: February 22, 2002

A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema.

Metal and Flesh

The Evolution of Man: Technology Takes Over

by Ollivier Dyens

Translated by Evan J. Bibbee and Ollivier Dyens

ISBN: 9780262042000

Publisher: The MIT Press

Pub Date: October 12, 2001

A poetic exploration of the new world created by the collision of the biological body with technology and culture.

The Robot in the Garden

Telerobotics and Telepistemology in the Age of the Internet

Edited by Ken Goldberg

ISBN: 9780262571548

Publisher: The MIT Press

Pub Date: August 24, 2001

An interdisciplinary collection of essays on telepistemology—the study of knowledge acquired at a distance.

Technoromanticism

Digital Narrative, Holism, and the Romance of the Real

by Richard Coyne

ISBN: 9780262531917

Publisher: The MIT Press

Pub Date: January 26, 2001

Technoromanticism pits itself against a hard-headed rationalism, but its most potent antagonists are contemporary pragmatism, phenomenology, hermeneutics, surrealism, and deconstruction—all of which subvert the romantic legacy and provoke new narratives of computing.

The Digital Dialectic

New Essays on New Media

Edited by Peter Lunenfeld

ISBN: 9780262621373

Publisher: The MIT Press

Pub Date: February 28, 2000

How our visual and intellectual cultures are changed by the new interaction-based media and technologies.

Art and Innovation

The Xerox PARC Artist-in-Residence Program

Edited by Craig Harris

ISBN: 9780262082754

Publisher: The MIT Press

Pub Date: June 16, 1999

Exploring a radical combination of research, art and new media.

Immersed in Technology

Art and Virtual Environments

Edited by Mary Anne Moser

With Douglas MacLeod

ISBN: 9780262631839

Publisher: The MIT Press

Pub Date: July 29, 1997

The Banff Centre for the Arts has become synonymous for what's hot in the electronic arts, a place where professional artists come to produce new work and develop new skills. This book brings together...

Designing Information Technology in the Postmodern Age

From Method to Metaphor

by Richard Coyne

ISBN: 9780262518949

Publisher: The MIT Press

Pub Date: September 28, 1995

Coyne examines the entire range of contemporary philosophical thinking—including logical positivism, analytic philosophy, pragmatism, phenomenology, critical theory, hermeneutics, and deconstruction—comparing them and showing how they differ in their consequences for design and development issues in electronic communications, computer representation, virtual reality, artificial intelligence, and multimedia.

Leonardo Almanac

International Resources in Art, Science, and Technology

Edited by Craig Harris

ISBN: 9780262581257

Publisher: The MIT Press

Pub Date: November 12, 1993

A consolidated and expanded version of the Leonardo Fine Art Science and Technology (FAST) Database and Archive project.

The Visual Mind

Art and Mathematics

Edited by Michele Emmer

ISBN: 9780262050487

Publisher: The MIT Press

Pub Date: October 26, 1993

introduces a new universe of mathematical images, forms, and shapes in media ranging from drawings to computer graphics, as well as discussion of the methods used to create these works

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