Sternberg Press / Thoughts on Curating
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Why I Do What I Do
Global Curators Speak
ISBN: 9781915609526
Publisher: Sternberg Press
Pub Date: October 22, 2024
Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.
Pidginization as Curatorial Method
Pidginization as Curatorial Method
Messing with Languages and Praxes of Curating
ISBN: 9781915609083
Publisher: Sternberg Press
Pub Date: August 15, 2023
A new vision for activist curatorial practice.
Unannounced Voices
Curatorial Practice and Changing Institutions
ISBN: 9783956795848
Publisher: Sternberg Press
Pub Date: November 15, 2022
Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.
Curating the Complex and the Open Strike
Curating the Complex and the Open Strike
ISBN: 9783956795312
Publisher: Sternberg Press
Pub Date: May 3, 2022
An analysis of the contexts in which curating takes place: why curate art these days and in the name of which interests?
Why I Do What I Do
Global Curators Speak
ISBN: 9781915609526
Publisher: Sternberg Press
Pub Date: October 22, 2024
Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.
Pidginization as Curatorial Method
Pidginization as Curatorial Method
Messing with Languages and Praxes of Curating
ISBN: 9781915609083
Publisher: Sternberg Press
Pub Date: August 15, 2023
A new vision for activist curatorial practice.
Unannounced Voices
Curatorial Practice and Changing Institutions
ISBN: 9783956795848
Publisher: Sternberg Press
Pub Date: November 15, 2022
Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.
Curating the Complex and the Open Strike
Curating the Complex and the Open Strike
ISBN: 9783956795312
Publisher: Sternberg Press
Pub Date: May 3, 2022
An analysis of the contexts in which curating takes place: why curate art these days and in the name of which interests?