Electronic Culture: History, Theory, and Practice

Electronic Culture: History, Theory, and Practice examines the ways in which the media of modern experience inflect upon the entire range of human expressions, but in particular on the development of illusion, mimesis, desire, representation, and social politics. The series exposes the technical ‘world’ of mechanization as the foundation for the world of information, communication, artificiality, and simulation by revealing the depth to which these ideas have been assimilated into the creative process—historically, theoretically, and artistically.

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Dark Fiber

Tracking Critical Internet Culture

by Geert Lovink

ISBN: 9780262621809

Publisher: The MIT Press

Pub Date: August 11, 2003

Net criticism that establishes the principles and foundation for a collaborative, global new media culture.

Stelarc

The Monograph

Edited by Marquard Smith

Foreword by William Gibson

ISBN: 9780262693608

Publisher: The MIT Press

Pub Date: September 28, 2007

A user's guide to Stelarc, the international performance artist whose extreme performances explore the borderland between bodies and machines.

Deep Time of the Media

Toward an Archaeology of Hearing and Seeing by Technical Means

by Siegfried Zielinski

Translated by Gloria Custance

Foreword by Timothy Druckrey

ISBN: 9780262740326

Publisher: The MIT Press

Pub Date: February 15, 2008

A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated.

Deep Time of the Media

Toward an Archaeology of Hearing and Seeing by Technical Means

Foreword by Timothy Druckrey

by Siegfried Zielinski

Translated by Gloria Custance

ISBN: 9780262240499

Publisher: The MIT Press

Pub Date: January 6, 2006

Future Cinema

The Cinematic Imaginary After Film

Edited by Peter Weibel and Jeffrey Shaw

ISBN: 9780262692861

Publisher: The MIT Press

Pub Date: October 24, 2003

An investigation of new cinematic forms that, incorporating electronic media, are transforming the traditional relationships between film and reality and between producer and audience.